Rosa alba2 (1799)
Ian albn|Rosa alba2 (1799)
Rosa alba2 (1799)
Ten ways of seeing
- measured cast yellow-green
- slightly upright 1.29 : 1
First Look
竖划三寸，当千仞之高；横墨数尺，体百里之迥。
—— 南朝宋·宗炳《画山水序》
A vertical stroke of three inches stands for a cliff of a thousand fathoms; a few feet of ink holds a hundred li.
Slightly taller than wide; the eye lands above centre. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
Only the genus Rosa is given; species-level names came later. No established Chinese name exists, so it is cited by its binomial alone.
Form and Colour
Measured on this plate: flower colour is sparing, 1.1% of the sheet against 11.1% of foliage, the cast tending yellow-green — as with pale or white blooms, outline and tone do the talking. Roses are shrubs or scramblers with pinnate leaves of three to seven serrated leaflets; the double flowers open in crumpled, inward-curling layers around a small knot of yellow stamens.No colour group is recorded. Read the outline, then the colour layers, then the brush.
Composition
The sheet is slightly tall. No details are appended: a plate for looking, not for keying out. The plant covers only 14% of the sheet, centred near the centre; the emptiness is where the eye rests.
Line and Colour
Eighteenth-century plates are mostly copper engraving: hatched lines for shadow, then hand-colouring by another hand. Craft leaves franker evidence than inscriptions. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
水沉山麝蔷薇露，漱作香云喷出来。
—— 唐·杨万里《正月五日以送伴借官侍宴集英殿十口号 其三》
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
In Europe the rose means love and secrecy ('sub rosa'); in Chinese verse the rambling rose leans and clings — lingering attachment rather than ardour. Flower language was added later; the flower knows nothing of it, and that innocence is part of its power.
Season and Place
Late spring into early summer, peaking in May — the first flush of the garden year. Widespread in the temperate north. Chinese gardeners knew roses since the Han. The year 1799 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. Read the locality and the flowering season both with a discount: one is hearsay, the other a ten-day peak.
The Book and the Hand
“A collection of roses from nature” carries only Mary Lawrence's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
Next time you stand before a flowering plant, give it three minutes: leaf arrangement, direction of the flower, the darkest patch. A flora exists to be consulted; look long enough and you forget to consult — someone in 1799 gave a whole day to a single flower.
About this plate
Rosa alba2 (1799) is plate 28, from A collection of roses from nature, drawn by Mary Lawrence. This public-domain plate is reproduced at high resolution, free to view and download. Publication: London, 1799.
