HemerecallisCarulea, Hemerecallis Japonica,Libellulac Anquis Harris, English dragon fly (1834)
Carule ibelluiec|家麻雀
HemerecallisCarulea, Hemerecallis Japonica,Libellulac Anquis Harris, English dragon fly (1834)
Ten ways of seeing
- measured cast yellow-green
- broad 0.74 : 1
First Look
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
A vertical stroke of three inches stands for a cliff of a thousand fathoms; a few feet of ink holds a hundred li.
Broad and horizontal: the eye travels side to side. Find where it stops. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
No reliable binomial survives, so the printed title must serve. The Chinese name 家麻雀 is a modern rendering of the Latin, not an old garden name.
Form and Colour
Measured on this plate: flower colour covers 3.5% of the sheet, foliage 10.2%, the cast yellow-green with a second note of amber. No other plate shares exactly this measure. A bulb of overlapping fleshy scales gives the lily its Chinese name, 'hundred-fold'; six tepals reflex as the flower opens, around six stamens with long, T-shaped anthers.No colour group is recorded. Three things fix the habit: leaf arrangement, tepal count, and how the flower is borne.
Composition
The sheet is broad. No details are appended: a plate for looking, not for keying out. The plant covers only 19% of the sheet, centred above centre; the emptiness is where the eye rests.
Line and Colour
The first half of the nineteenth century moved from copper to steel to lithography; stipple could render the softest transition. Craft leaves franker evidence than inscriptions. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
两丛香百合,一架粉长春。
—— 宋·陆游《北窗偶题四首 其一》
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
In the West the white lily is Marian purity, held by the angel of the Annunciation; in China the name sounds like 'a hundred years in harmony', a wedding wish. Meanings change their tune: the same flower can say opposite things within a century.
Season and Place
the flowers last only days, so artists drew them just as they opened. Temperate north — China, Japan, Europe. Long used in Chinese medicine, lilies were hunted in East Asia by nineteenth-century collectors and transformed European gardens. The year 1834 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. Read the locality and the flowering season both with a discount: one is hearsay, the other a ten-day peak.
The Book and the Hand
“A selection of hexandrian plants, belonging to the natural orders Amaryllidae and Liliacæ” carries only Priscilla Susan Bury's name. A plate is collective work: drawer, engraver and colourist were different hands, and the unnamed ones decided how good it looks.
What to Take Away
Next time you stand before a flowering plant, give it three minutes: leaf arrangement, direction of the flower, the darkest patch. A flora exists to be consulted; look long enough and you forget to consult — someone in 1834 gave a whole day to a single flower.
About this plate
HemerecallisCarulea, Hemerecallis Japonica,Libellulac Anquis Harris, English dragon fly (1834) is plate 49, from A selection of hexandrian plants, belonging to the natural orders Amaryllidae and Liliacæ, drawn by Priscilla Susan Bury. This public-domain plate is reproduced at high resolution, free to view and download. Publication: London, R. Havell, 1834.