Three Puppies with a Crate and a Bunch of Grapes (1575-1590)
Ten ways of seeing
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First Look
竖划三寸，当千仞之高；横墨数尺，体百里之迥。
—— 南朝宋·宗炳《画山水序》
A vertical stroke of three inches stands for a cliff of a thousand fathoms; a few feet of ink holds a hundred li.
Nearly square, plant and detail each holding a corner. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
No reliable binomial survives, so the printed title must serve. Neither name nor binomial survives: the printed title must do.
Form and Colour
Fruit plates pair the whole fruit with a section: the outline identifies the variety, the cut reveals skin thickness, core size and seed arrangement — the evidence of registration.No colour group is recorded. Read the outline, then the colour layers, then the brush.
Composition
Nearly square, plant and details sharing the corners. No details are appended: a plate for looking, not for keying out. Old plates set the plant slightly off centre, with unequal margins — that small imbalance is what keeps it alive.
Line and Colour
Before 1700 most botanical figures came from woodcut: thick, hard lines in relief, colour brushed on afterwards. Decide first whether it was printed or painted; only then discuss whether it is beautiful. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
投我以木瓜，报之以琼琚。匪报也，永以为好也。
—— 《诗经·卫风·木瓜》
She threw me a quince; I gave back a jade pendant — not as repayment, but to be friends forever.
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the fruit becomes its resting point.
Symbolism
In China the pomegranate means many sons, the peach long life, the orange good fortune; in Europe the apple is temptation and knowledge, the grape abundance and sacrifice. In a flora it is a species first and a symbol second; the order is worth keeping.
Season and Place
Late summer into autumn, variety by variety. Temperate fruits came mostly from Eurasia, later from the Americas. Nineteenth-century nurseries printed varietal albums for trade and exhibition: every fruit on the page was a saleable claim. The year 1575 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. The bud and the ripe fruit on one branch tell the season; the name in the title often tells the journey.
The Book and the Hand
“Animalia Qvadrvpedia et Reptilia (Terra)” carries only Joris Hoefnagel's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
If you keep one line, keep Guo Xi's: from afar its momentum, up close its texture. A flora exists to be consulted; look long enough and you forget to consult — someone in 1575 gave a whole day to a single flower.
