Diversae Insectarum Volatilium Pl.08 (1630)
Ten ways of seeing
- broad 0.71 : 1
First Look
论画以形似，见与儿童邻。
—— 宋·苏轼《书鄢陵王主簿所画折枝》
To judge painting by likeness alone is the view of a child.
Broad and horizontal: the eye travels side to side. Find where it stops. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
No reliable binomial survives, so the printed title must serve. Neither name nor binomial survives: the printed title must do.
Form and Colour
Insect plates show the host plant and all four stages at once — egg, larva, pupa, adult — with wing venation, scales and antennal segments accounted for: the most technical branch of natural-history art.No colour group is recorded. Three things fix the habit: leaf arrangement, tepal count, and how the flower is borne.
Composition
Broad and horizontal — the format for perched, spread-wing or grouped birds. No details are appended: a plate for looking, not for keying out. Old plates set the plant slightly off centre, with unequal margins — that small imbalance is what keeps it alive.
Line and Colour
Before 1700 most botanical figures came from woodcut: thick, hard lines in relief, colour brushed on afterwards. Take a loupe to three places: petal edge, leaf vein, caption. An unbroken line means engraving; colour crossing the outline means a hand. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
槐陌蝉声柳市风，驿楼高倚夕阳东。
—— 唐·韦庄《关河道中》
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the bird itself becomes its resting point.
Symbolism
In China the butterfly is dream and lovers, the cicada purity, the firefly a lamp for reading; in Europe the insect began as specimen before it became symbol. Meanings change their tune: the same flower can say opposite things within a century.
Season and Place
Set by life stage: butterflies in spring and summer, moths into autumn, beetles from May to July. Four stages on one sheet span a whole year. Merian's Metamorphosis Insectorum Surinamensium (1705) first showed insect stages with their host plants — the result of raising caterpillars in the Surinam forest with her daughters. The year 1630 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. Much of what that generation knew of such birds came from specimens and cages; read locality and season both as hearsay.
The Book and the Hand
“Diversae Insectarum Volatilium” carries only Jacob Hoefnagel's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
If you keep one line, keep Guo Xi's: from afar its momentum, up close its texture. A flora exists to be consulted; look long enough and you forget to consult — someone in 1630 gave a whole day to a single flower.
