Paarse iris (Iris germanica). (1596-1610)
Ten ways of seeing
- upright 1.50 : 1
First Look
论画以形似,见与儿童邻。
—— 宋·苏轼《书鄢陵王主簿所画折枝》
To judge painting by likeness alone is the view of a child.
The sheet is vertical: the eye climbs and settles in the upper half. Let the plant stand before you look for detail. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
The binomial is Paarse iris: the first word is the genus it belongs among, the second the epithet that sets it apart. Two words carry a whole provenance. No established Chinese name exists, so it is cited by its binomial alone.
Form and Colour
Irises carry rhizomes or bulbs, sword-shaped leaves in two ranks, and six tepals — three falls drooping, often bearded or speckled, three standards erect.No colour group is recorded. Three things fix the habit: leaf arrangement, tepal count, and how the flower is borne.
Composition
Tall and narrow, the plant rising in one movement with generous margins — the upright format of most floras. No details are appended: a plate for looking, not for keying out. Blank paper is not unfinished work: it is where the eye rests.
Line and Colour
Before 1700 most botanical figures came from woodcut: thick, hard lines in relief, colour brushed on afterwards. Craft leaves franker evidence than inscriptions. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
蓝田日暖玉生烟。
—— 唐·李商隐《锦瑟》
In warm sun over Lantian, the jade gives off smoke.
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
In China sweet flag hung at the door wards off evil at midsummer; in Europe the iris is the messenger, since Iris was the rainbow goddess who carried divine words. Flower language was added later; the flower knows nothing of it, and that innocence is part of its power.
Season and Place
Late spring to early summer, peaking in April and May, before the summer rains. in Europe Iris germanica gave the perfume trade its orris root. The year 1596 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. Read the locality and the flowering season both with a discount: one is hearsay, the other a ten-day peak.
The Book and the Hand
“Historia Naturalis van Rudolf” carries only Anselmus Boëtius de Boodt's name. A plate is collective work: drawer, engraver and colourist were different hands, and the unnamed ones decided how good it looks.
What to Take Away
Next time you stand before a flowering plant, give it three minutes: leaf arrangement, direction of the flower, the darkest patch. The flower of that year is dust, yet its image on paper has outlived every living cousin.