Colymbus fluviatilis Tunst., Kleiner Lappentaucher
Ten ways of seeing
- broad 0.69 : 1
First Look
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
A vertical stroke of three inches stands for a cliff of a thousand fathoms; a few feet of ink holds a hundred li.
Broad and horizontal: the eye travels side to side. Find where it stops. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
No reliable binomial survives, so the printed title must serve. Neither name nor binomial survives: the printed title must do.
Form and Colour
A bulb of overlapping fleshy scales gives the lily its Chinese name, 'hundred-fold'; six tepals reflex as the flower opens, around six stamens with long, T-shaped anthers.No colour group is recorded. Three things fix the habit: leaf arrangement, tepal count, and how the flower is borne.
Composition
Broad and horizontal — the format for groups or a whole plant with its roots. No details are appended: a plate for looking, not for keying out. Blank paper is not unfinished work: it is where the eye rests.
Line and Colour
The exact date is lost. Woodcut before 1700, copper in the eighteenth century, steel and lithography from the 1820s, chromolithography by the century's end. Craft leaves franker evidence than inscriptions. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
梨花淡白柳深青,柳絮飞时花满城。
—— 宋·苏轼《东栏梨花》
Pear blossoms pale white, willows deep green; when the catkins fly, flowers fill the town.
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
In the West the white lily is Marian purity, held by the angel of the Annunciation; in China the name sounds like 'a hundred years in harmony', a wedding wish. In a flora it is a species first and a symbol second; the order is worth keeping.
Season and Place
the flowers last only days, so artists drew them just as they opened. Temperate north — China, Japan, Europe. Long used in Chinese medicine, lilies were hunted in East Asia by nineteenth-century collectors and transformed European gardens. No firm date survives, so the season is inferred from the subject. The bud and the ripe fruit on one branch tell the season; the name in the title often tells the journey.
The Book and the Hand
“Natural history of the Birds of Central Europe” carries only Johann Friedrich Naumann's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
Carry three rules away: whole before detail; line before colour; picture before book. Flowers fall, paper yellows; what the page keeps is the very moment that would not stay.