Hoofd voor het kindertijdschrift Ons blaadje, lectuur voor onze kleinen (1925)
Ten ways of seeing
- upright 1.40 : 1
First Look
搜尽奇峰打草稿。
—— 清·石涛《苦瓜和尚画语录》
Exhaust the strange peaks, and then make the sketch.
The sheet is vertical: the eye climbs and settles in the upper half. Let the plant stand before you look for detail. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
No reliable binomial survives, so the printed title must serve. Neither name nor binomial survives: the printed title must do.
Form and Colour
A botanical plate: one plant lifted from field or glasshouse and set at the centre of the sheet, root, stem, leaf, flower and fruit in turn, made legible, citable, transmissible.No colour group is recorded. Read the outline, then the colour layers, then the brush.
Composition
Tall and narrow, the plant rising in one movement with generous margins — the upright format of most floras. No details are appended: a plate for looking, not for keying out. Blank paper is not unfinished work: it is where the eye rests.
Line and Colour
After 1900 photography and colour reproduction ran alongside watercolour: accuracy rose, the cut of the burin disappeared. Take a loupe to three places: petal edge, leaf vein, caption. An unbroken line means engraving; colour crossing the outline means a hand. If you mean to copy it: this is a photomechanical record — match the colours directly, do not imitate the printing grain.
Poetic Resonance
朝饮木兰之坠露兮，夕餐秋菊之落英。
—— 战国·屈原《离骚》
At dawn I drink the dew fallen from magnolia; at dusk I dine on the fallen petals of autumn chrysanthemum.
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
The symbolism of such a plate lies not in flower lore but in record: the belief that a plant deserves to be drawn accurately — the plainest ethic of the scientific age. Flower language was added later; the flower knows nothing of it, and that innocence is part of its power.
Season and Place
the rest of the year it is only a mass of leaves. Various: local hillside or a plant brought from overseas. The nineteenth-century botanic garden and glasshouse were their first address away from home. The year 1925 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. The bud and the ripe fruit on one branch tell the season; the name in the title often tells the journey.
The Book and the Hand
“The woodcuts of K.P.C. de Bazel” carries only Karel de Bazel's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
If you keep one line, keep Guo Xi's: from afar its momentum, up close its texture. Two centuries on, the plant may still flower in some garden; the one on this sheet stopped in the season of 1925.
