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Cœligena purpurea

Cœligena purpurea

Purple Cœligene

Pl. 256, Vol. IV · p.256 · 1854 · Gould's Hummingbirds · · 1849-1887

合集
古尔德蜂鸟图谱
绘者
John Gould(约翰·古尔德)
年代
1854
图版号
Pl. 256, Vol. IV
原书页码
p.256
授权
CC0 1.0 Universal (Public domain)

关于本图版

本图选自约翰·古尔德的《古尔德蜂鸟图谱》(Gould's Hummingbirds),原书 1849—1887 年间出版。画面主体为 Cœligena purpurea,在分类体系中列于蜂鸟科(Trochilidae)。

该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 256, Vol. IV,对应原书第 256 页,版式为纵幅。扫描件取自公有领域原件,经高分辨率修复与色彩校正,可按原大放大查看线条与设色。

原书文字(英文 / 法文)

Popayan

I have lately received from M. Parzudaki, of Paris, a fine specimen of this bird, which I believe to be from the neighbourhood of Popayan; a second example forms part of the collection of Edward Wilson, Esq., and is said to have been killed in Peru.

Both specimens appear to be fully adult, and, like the Cœligena typica, they are never adorned with any other metallic colouring than that which occurs on the beautiful fringe-like edges of the feathers of the lower part of the back and rump.

The Cœlgena purpurea is a larger and more powerful bird than C. typica, and differs also from that species in the much deeper colour of the tail, in the rich purple hue of its head, neck and shoulders, and in having a somewhat obscure lunate mark of white on each side the chest; in this last particular it offers an alliance to the Wilsoni, but from which also I am convinced it is specifically distinct.

The shoulders bluish purple; head, neck, back and wing-coverts very dark purple, becoming of a bronzy hue on the lower part of the back and rump, where also the feathers are fringed with metallic grass-green, most conspicuous when the bird is viewed from behind; tail very dark bronzy purple; wings purplish brown; on each side the chest a lunate mark of white; the remainder of the under surface very dark purplish brown; the feathers of the throat edged with grey, giving that part a scaly appearance, and the under tailcoverts with buff.

The figures represent the bird of the size of life.

十观

  • 纵幅 1.36∶1
  • 1854 年刊
  • 图版 256, Vol. IV

第一眼

论画以形似,见与儿童邻。

—— 宋·苏轼《书鄢陵王主簿所画折枝》

只求画得像,是小孩的眼光。苏轼不是不要形似,是说形似之后还有一层:神。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。

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