John Thomas Smith · 1817 · 20 plates
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter… (1817)
1817
Hogarth Being Out of His Time Draws His Companion’s Figure on the Door of a Certain Place, to the Great Admiration of All His Friends (1817)
Hogarth Carrying his Master’s Sick Child Round Leicester Fields. The Spot of Ground Leicester House. (1817)
Hogarth Declaring His Love to Miss Thornhill (1817_1817)
Hogarth Drawing Sarah Malcolm (1817)
Hogarth Drinking the First Glass of Wine with His Wife – Their Dogs Keeping Respectful Distances (1817)
Hogarth Engraving His Master’s Shop-bill the Sign of the Angel (1817)
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress’s Bedchamber (1817)
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance (1817)
Hogarth Making up a Portrait of H. Fielding, for a Bookseller.. (1817)
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital (1817)
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers (1817)
Hogarth Sitting to Roubiliac for His Bust (1817)
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. ‘Analysis of Beauty’ (1817)
Hogarth at Old Slaughter’s Hobbing with Highmore the Painter (1817)
Hogarth painting ‘The Lady’s Last Stake,’ in the Presence of Lord Charlemont (1817)
Sir James Thornhill’s Boy Entering His Master’s Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill (1817)
The Eleventh Hour (1817)
The Reconcilation (1817)
The Smock Exposed (1817)
