Hesperis montana, floribus roseis odoratissimis, foliis serratis – Giuliana salvatica semplice – Tutiane, ou Tuliene. (Sweet Rocket) (1772-1793)
Ten ways of seeing
- upright 1.52 : 1
First Look
竖划三寸，当千仞之高；横墨数尺，体百里之迥。
—— 南朝宋·宗炳《画山水序》
A vertical stroke of three inches stands for a cliff of a thousand fathoms; a few feet of ink holds a hundred li.
The sheet is vertical: the eye climbs and settles in the upper half. Let the plant stand before you look for detail. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
The binomial is Hesperis montana: the first word is the genus it belongs among, the second the epithet that sets it apart. Here the epithet montana means “of mountains” — the name records the feature the namer noticed first. No established Chinese name exists, so it is cited by its binomial alone.
Form and Colour
Roses are shrubs or scramblers with pinnate leaves of three to seven serrated leaflets; the double flowers open in crumpled, inward-curling layers around a small knot of yellow stamens.No colour group is recorded. Three things fix the habit: leaf arrangement, tepal count, and how the flower is borne.
Composition
Tall and narrow, the plant rising in one movement with generous margins — the upright format of most floras. No details are appended: a plate for looking, not for keying out. Cover the margins with your thumb and the plate suffocates; uncover them and the flower breathes again.
Line and Colour
Eighteenth-century plates are mostly copper engraving: hatched lines for shadow, then hand-colouring by another hand. Decide first whether it was printed or painted; only then discuss whether it is beautiful. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
菱透浮萍绿锦池，夏莺千啭弄蔷薇。
—— 唐·杜牧《齐安郡后池绝句》
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
In Europe the rose means love and secrecy ('sub rosa'); in Chinese verse the rambling rose leans and clings — lingering attachment rather than ardour. In a flora it is a species first and a symbol second; the order is worth keeping.
Season and Place
Late spring into early summer, peaking in May — the first flush of the garden year. Widespread in the temperate north. Chinese gardeners knew roses since the Han. The year 1772 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. Read the locality and the flowering season both with a discount: one is hearsay, the other a ten-day peak.
The Book and the Hand
“Hortus Romanus juxta systema Tournefortianum” carries only Giorgio Bonelli's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
Appreciation is not knowledge but habit — one more look each time. Two centuries on, the plant may still flower in some garden; the one on this sheet stopped in the season of 1772.
Previous plateHesperis hortensis, flore pleno, albo, H.R. Par. Odoratissimo – Viola Matronale bianca, ed anco Giuliana ( White Sweet Rocket) (1772-1793)
Next plateHorminum Salviæ foliis, coma rubra, floribus in labio superiori rubenti, inferiori, seu barba ex albo rubentibus … (Annual Sage) (1772-1793)
