Leonurus, Leucojum (1767-1768)
Ten ways of seeing
- broad 0.67 : 1
First Look
论画以形似，见与儿童邻。
—— 宋·苏轼《书鄢陵王主簿所画折枝》
To judge painting by likeness alone is the view of a child.
Broad and horizontal: the eye travels side to side. Find where it stops. Then step in close: watch where colour meets line, and whether the line ever breaks. Third, find the darkest small patch: the whole tonal order is measured from there.
Name and Thing
Only the genus Leucojum is given; species-level names came later. No established Chinese name exists, so it is cited by its binomial alone.
Form and Colour
A layered bulb, upright strap leaves, six white tepals and a small golden cup — the Chinese name is 'silver terrace with a golden cup'.No colour group is recorded. Three things fix the habit: leaf arrangement, tepal count, and how the flower is borne.
Composition
Broad and horizontal — the format for groups or a whole plant with its roots. No details are appended: a plate for looking, not for keying out. Cover the margins with your thumb and the plate suffocates; uncover them and the flower breathes again.
Line and Colour
Eighteenth-century plates are mostly copper engraving: hatched lines for shadow, then hand-colouring by another hand. There is evidence on the back too: the plate mark pressed into the paper, the slight relief of the pigment, lines worn shallow in a later printing. If you mean to copy it: take its skeleton, its margins and the order of its colours; the burin's hatching is the language of copper — suggest it with pencil density, do not imitate it stroke for stroke.
Poetic Resonance
含香体素欲倾城，山矾是弟梅是兄。
—— 宋·黄庭坚《王充道送水仙花五十枝》
Fragrant, white-bodied, all but city-toppling; the snowbell is its younger brother, the plum its elder.
The poem gives the mood first and the picture supplies the form; set the line beside the plate and the corolla becomes its resting point.
Symbolism
In China it is the New Year's offering — clear, fragrant, a little otherworldly; in Europe, because of Narcissus, it means self-love and the gaze turned inward. Flower language was added later; the flower knows nothing of it, and that innocence is part of its power.
Season and Place
Late winter into early spring: forced in water in the twelfth month, blooming at the New Year. Zhangzhou in Fujian has grown it since Ming times. The year 1767 on the plate is that of publication, not of flowering — the gathering came a year or two earlier. Read the locality and the flowering season both with a discount: one is hearsay, the other a ten-day peak.
The Book and the Hand
“La natura, e coltura de' fiori fisicamente esposta in due trattati con nuove ragioni, osservazioni, e sperienze” carries only Filippo Arena's name. The image is public domain; the hand-colouring is still one person's hand.
What to Take Away
Appreciation is not knowledge but habit — one more look each time. A flora exists to be consulted; look long enough and you forget to consult — someone in 1767 gave a whole day to a single flower.
