紫辉林星蜂鸟
Calliphlox amethystina
Calliphlox amethystina
The Amethyst
- 中文名
- 紫辉林星蜂鸟
- 学名
- Calliphlox amethystina
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1852
- 图版号
- Pl. 159, Vol. III
- 原书页码
- p.159
- 授权
- CC0 1.0 Universal (Public domain)
关于本图版
本图选自约翰·古尔德的《古尔德蜂鸟图谱》(Gould's Hummingbirds),原书 1849—1887 年间出版。紫辉林星蜂鸟(Calliphlox amethystina)是本图的主角,在分类体系中列于蜂鸟科(Trochilidae)。
该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 159, Vol. III,对应原书第 159 页,版式为纵幅。图为公有领域原件的修复扫描,构图与设色未经改动。
原书文字(英文 / 法文)
Brazil, Demerara, Cayenne, and Trinidad
Two supposed species of this form have been described and figured in works on Ornithology, under the names of Amethystina and Amethystoïdes; the former of which is said to inhabit Cayenne and Brazil, and the latter Brazil only.
The young bird of one of them is figured under another name—that of orthura; hence has arisen much confusion respecting the synonymy of this species. I may state, that never having seen a bird from any country precisely accordant with M. Lesson’s figure of Amethystoïdes, which is said to have been taken from a Minas Geraes specimen, I am unable to say whether it be or be not a species; at present I am inclined to consider it identical with the present bird, which opinion is in some measure confirmed by a remark of Mr. Reeves, that the Amethystina from Minas Geraes, though smaller, is probably the same, as he observes that all the Humming Birds from that province are smaller than those from Rio de Janeiro and have feathers of a drier texture.
In justice to M. Bourcier, who furnished M. Lesson with the specimens from which his figures were taken, I append a few lines just received from him respecting Amethystina and Amethystoïdes:—
These two species have a general resemblance, especially in the adult state, but there are well-marked characters in the plumage of the young and of the females; it was this which determined me, when M. Lesson was publishing “Les Trochilidées,” to give him several examples for examination, and it was among the younger specimens that he fancied he had discovered a new species, to which he gave the name of orthura, which however is only the young of Amethystina.”
I may here be permitted to remark, that I suspect M. Bourcier must be mistaken, when he says that the plumage of the young and females exhibit a marked, that is, a different character, since it is well known that wherever species are very intimately allied, the females and youthful birds assimilate even more closely in every respect.
The only noticeable circumstance in favour of Lesson’s orthura being distinct is, that some of the specimens in my collection according most closely with his figure, have more lengthened bills than those which I believe to be females of Amethystina.
My figures were taken from Brazilian specimens sent to me by Mr. Reeves, who states that in Brazil the bird inhabits the interior of the provinces of Bahia, Rio de Janeiro, Novo Friburgo and Minas Geraes, but is nowhere very common, and that it frequents the gardens when the orange-trees are in flower, the valleys when the Marrianeira is blooming, and the forests when the flowers elsewhere are no longer inviting. It arrives in Rio in July, is most numerous in September and October, and departs again on the approach of the hot season. Its nest is invariably placed in the highest and driest trees.
The following are the states which this bird appears to assume:—
An adult from the neighbourhood of Rio de Janeiro has the head, all the upper surface, wing- and _tailcoverts bronzy green; wings and outer tail-feathers purplish brown; four central tail-feathers washed with green; throat amethystine red, bounded below by a broad band of greyish white; flanks bronzy; centre of the abdomen grey, passing into the greyish buff of the vent and under tail-coverts; bill black; feet brown.
An adult male from Cayenne assimilates very closely with the above in colour, but has the abdomen a little darker, and with less buff on the vent, and the under tail-coverts strongly washed with green.
The young males, with lengthened and forked tails, have the general colouring of the body the same as in the adult, but the throat, instead of being amethystine, is spotted and streaked with brown ona grey ground.
The females, or what I consider to be examples of that sex, have the upper surface very similar to that of the male; the throat grey, sometimes uniform, while at others it is spangled with amethystine; the breast crossed by an obscure band of grey; the flanks and under tail-coverts either pale or rich buff, and the three outer tail-feathers brownish black, largely tipped with rich buff.
In another state the throat is grey, sparingly spangled with amethystine, while the band crossing the chest, the centre of the abdomen and under tail-coverts are brownish grey, and the flanks bronzy green; the feathers of the tail bronzy green at the base, crossed near the extremity with a brownish band, and slightly tipped with grey. This may be the fully adult female.
The Plate represents two adult males, a young male, and a female, of the natural size. The plant is copied from a drawing sent to me by Mr. Reeves.
References
- Trochilus amethystinus, Gmel. Edit. Linn. Syst. Nat., tom. i. p. 496.—Lath. Ind. Orn., vol. i. p. 319.—Vieill. Ency. Méth. Orn., part u. p. 561.—Pr. Max. Beitr. zur Naturg. von Bras., p. 90.—Shaw, Gen. Zool., vol. viii. p. 328.—Jard. Nat. Lib. Humming Birds, vol. u. p. 64. pl. 9.
- L’ Oiseau-mouche Améthiste, Buff. Hist. Nat. des Ois., tom. vi. p: 16.—Audeb. et Vieill. Ois. dor., tom. i. p. 115.
- Petit Oiseau-mouche à queue fourchue de Cayenne, Buff. Pl. Enl. 672. fig. 1.
- Ornismya amethystina, Less. Hist. Nat. des Ois. Mou., p. 150. pl. 47.—Ib. Les Troch., p. 90. pl. 30. nest, & p. 140. pl. 52?—Ib. Traité d’Orn., p. 274.
- Ornismya amethystoides, Less. Les Troch., pp. 81, 83. & pls. 26, 27. p. 79. & pl. 25?
- Ornismya orthura, Less. Les Troch., p. 85. pl. 28. p. 88. pl. 29.
- Mellisuga amethystina, Steph. Cont. of Shaw’s Gen. Zool., vol. xiv. p. 243.—Gray and Mitch. Gen. of Birds, vol. i. p. 113, Mellisuga, sp. 72.
- Mellisuga amethystoides, Gray and Mitch. Gen. of Birds, vol. i. p. 113, Mellisuga, sp. 73.
- Trochilus campestris, Pr. Max. Beitr. zur Naturg. von Bras., p. 73.
- Tryphæna amethystinus, Bonap. Consp. Gen. Av., p. 84, Tryphæna, sp. 2.
- Tryphæna amethystina, Bonap. Rev. et Mag. de Zool. 1854, p. 257.
- Calliphlox amethystina, Reichenb. Aufz. der Colibris, p. 12.—Ib. Troch. enumer., p. 10.
- Amethystine Humming Bird, Lath. Gen. Syn., vol. 1. p. 787.—Ib. Gen. Hist., vol. iv. p. 8357.— Shaw, Gen. Zool., vol. vi. p. 328.
- Tryphæna Amethystina, Gould, in Description of T. Daponti.
十二观
- 纵幅 1.39∶1
- 1852 年刊
- 图版 159, Vol. III
这不是词条,是一条看画的次序:先站定看整体,再看名字与形色、构图与刀工,然后问它几时开、从哪里来、经了谁的手;最后是中国诗文——同一朵花,中国古人是怎么看的。十二观读完,这幅图就打开了。
-
第一眼
江馆清秋,晨起看竹,烟光日影露气,皆浮动于疏枝密叶之间。
—— 清·郑板桥《题画竹》
郑板桥说他画竹,是先看见“烟光日影露气”在枝叶间浮动,才动手。看画时找这一层空气,比记住花的名字更要紧。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
-
名与实
学名 Calliphlox amethystina:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。名字是通行证,也是懒办法——记住两个词,就抓住了一整个物种。中文名“紫辉林星蜂鸟”是后人据学名回译的通行叫法,与古书里的旧名未必对得上——名与物之间,总隔着一层翻译。
-
形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。别只看花:叶脉的走向、萼片的长短、甚至茎上的毛,都是画家用来区分物种的证据。
-
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。(高宽比约 1.39∶1)全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
-
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。拿放大镜(或手机微距)看三处:喙缘、覆羽、题名。线若连续不断,是刻的;色若越过轮廓半毫米,是手涂的。
-
时序
热带美洲几乎全年可见,花期即其季节;温带种类的蜂鸟则随花北迁,一年往返数千公里。图上所记的 1852 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。图谱记的是十余日的盛况;剩下的三百多天,植物在长叶、结果、休眠——图只截了它最像自己的一刻。
-
故土
仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。这类植物的旅程比图版本身更长:从一座山到另一座山,从一种语言换到另一种语言。
-
书与人
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘,成于1849-1887。此幅为其中图版 159, Vol. III,见原书第 159 页。图版今属公有领域,可以自由取用;但纸上那层手工上色,仍是两百年前某一个人的手。
-
诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。诗以气行,画以形立;两种“看”叠在一起,才是看画的意思。
-
文心
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
三寸的竖线可当千仞高山,几尺横墨能容百里之远。一只蜂鸟只有拇指大,画家却要在几厘米里放下整片花丛——尺度从来不是障碍。古尔德《蜂鸟图谱》(1849—1887)以石版手工上色,金箔衬底,使羽色在纸上仍有金属光;这套图册本身就是十九世纪印刷与收藏狂热合流的产物。记住这一句,下次在别处见到同类,它会自己浮上来——鉴赏力就是这样一句一句攒出来的。
-
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。象征会随世道改口:同一只鸟,在一个世纪里可以说完全相反的话。
-
带走一双眼睛
鉴赏力不是知识,是习惯:每次多看一眼,十年之后你看什么都和别人不一样。图谱的用意是“以备查考”,看久了却会忘记查考:1852 年的一个人,为一只鸟花了整整一天。