瑰丽蜂鸟属·Calothorax Heliodori
Calothorax Heliodori
Calothorax Heliodori
Heliodore’s Wood Star
- 中文名
- 瑰丽蜂鸟属·Calothorax Heliodori
- 学名
- Calothorax Heliodori
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1852
- 图版号
- Pl. 147, Vol. III
- 原书页码
- p.147
- 授权
- CC0 1.0 Universal (Public domain)
关于本图版
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘制,1849—1887 年间印行,本图即其中一幅。图中描绘的是瑰丽蜂鸟,在分类体系中列于蜂鸟科(Trochilidae)。
该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 147, Vol. III,对应原书第 147 页,版式为纵幅。图像由公有领域原件扫描修复而来,细节在放大视图中仍清晰可辨。
原书文字(英文 / 法文)
The Andes of New Granada
There is no Humming Bird with which I am acquainted that has so short and feeble a wing as the Calothorax Heliodori, while on the other hand I know of no species of the smaller members of the group having so robust a body and so deep a pectoral muscle; hence we may infer with a degree of certainty, that the deficiency in the size of the wing is compensated by a great increase of muscular force, which enables it to maintain a flight characterized by a vibratory action of inconceivable rapidity.
It is somewhat singular that the small size of the wing is much more decided in the adult male than in the female or young male, a circumstance which it is not very easy to account for; there is no doubt that the increased muscular power of the adult male compensates for the shortness of wing, but the laws which regulate muscular development and that of the plumage, and especially of such portions as are necessary to flight, are at present but little understood. Sheltered valleys and moderate elevations of the Cordilleran Andes, where the temperature is congenial, constitute the habitat of this little species. I have received it from Pamplona, from the banks of the Magdalena, and from Santa Fé de Bogota, in which latter district there is every reason to believe it is to be found in considerable abundance, inasmuch as but few collections are sent from that portion of South America which do not contain examples.
All the tail-feathers of the males of this species, like those of Calothorax Mulsanti, are slender, but the two external ones on each side are reduced almost to a setaceous filament; on the other hand, the tail-feathers of the female and young male are quite opposite in character, as will be seen on reference to the accompanying Plate, which represents two adult males, a supposed young male, and a female, the latter surmounting a blossom of the Cereus crenatus, a beautiful Cactus, lately sent to this country from the district the bird frequents; the fine blossom figured was given to me by Mr. Glendinning of Chiswick Nursery, to whom my thanks are due. It is not to be understood, however, that the bird feeds exclusively on flowers of this character, for M. Bourcier informs me that it frequents the topmost branches of the lofty Mimosa trees, from the abundant flowers of which it extracts its insect food. M. Bourcier states that he has named this bird Heliodori after his son, in order to create in him a love of science and a taste for natural history.
The male has all the upper surface, flanks and abdomen dark shining green; wings purplish brown; tail brownish black; at the union of the flanks with the upper surface a patch of white; throat and lengthened plumes on the sides of the neck violet-red, beneath which is a transverse line of greyish white; centre of the breast grey; vent and thighs white; bill black.
The female has the upper surface bronzy green; lores and streak behind the eye dark brown; under surface and tail deep reddish buff, the latter crossed near the tip by a band of brownish black; tufts of white on the sides as in the male.
In the immature state the birds I believe to be young males have the under surface in some instances white, in others rufous like that of the female.
The Plate represents two males, a female, and probably a young male of the natural size.
References
- Ornsmya Heliodori, Boure. Rey. Zool. 1840, p. 275.—Ann. Sci. Phys. &c. de Lyon, tom. v. 1842, p. 308, pl. xv. male, xvi. female.
- Mellisuga Heliodori, Gray and Mitch. Gen. of Birds, vol. i. p. 118, Mellisuga, sp. 66.
- Calothorax Heliodori, Bonap. Consp. Gen. Av., p. 85.
十观
- 纵幅 1.55∶1
- 1852 年刊
- 图版 147, Vol. III
这不是词条,是一条看画的次序:先站定看整体,再认名字、品形色、观构图与刀工——想动笔临它的人,刀工那一段替你标了该学什么;行至中途停下,听一句中国诗——同一朵花,古人是怎么看的;然后是花语、时与地、书与人;最后读一句古文,带走一双看画的眼。
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第一眼
六法者何?一、气韵生动是也;二、骨法用笔是也;三、应物象形是也;四、随类赋彩是也;五、经营位置是也;六、传移模写是也。
—— 南齐·谢赫《古画品录》
一千五百年前的六条标准:气韵、用笔、形似、设色、构图、临摹。你在这幅图上一样样对过去,就是一次完整的读画。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
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名与实
学名 Calothorax heliodori:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。双名制的好处是唯一:全世界叫这个名字的,只能是这一种。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
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形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。颜色不是平涂的:最浅处近乎纸色,最深处在花瓣重叠的缝里。把这两处找到,画面的呼吸就出来了。
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构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。(高宽比约 1.55∶1)全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
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一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。工艺留下的破绽比题跋更诚实:刻工不会撒谎,上色的人赶时间的时候会。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
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诗境
夫列子御风而行,泠然善也,旬有五日而后反。
—— 《庄子·逍遥游》
蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。诗以气行,画以形立;两种“看”叠在一起,才是看画的意思。
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花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。花语是给人与人的关系用的;植物自己只关心有没有传粉的虫。这两套语言,可以并行不悖。
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时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1852 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。看叶的老嫩、花与果是否同在枝上,季节便八九不离十;看题名里藏着的地名,来路也猜得出七分。
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书与人
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘,成于1849-1887。此幅为其中图版 147, Vol. III,见原书第 147 页。一本书的“作者”常常是主编;真正决定这幅图好不好看的,是没留下名字的刻工与上色人。
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文心
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
三寸的竖线可当千仞高山,几尺横墨能容百里之远。一只蜂鸟只有拇指大,画家却要在几厘米里放下整片花丛——尺度从来不是障碍。古尔德《蜂鸟图谱》(1849—1887)以石版手工上色,金箔衬底,使羽色在纸上仍有金属光;这套图册本身就是十九世纪印刷与收藏狂热合流的产物。中外的分别不在谁高明,而在问的问题不同:欧洲问它是什么,中国问它像谁。两个问题都答了,一幅图才算读完。
带走一双眼睛
如果只能记一句,就记郭熙那八个字:远望取其势,近看取其质。看图、看花、看人,都一样。图谱的用意是“以备查考”,看久了却会忘记查考:1852 年的一个人,为一只鸟花了整整一天。