燕尾刀翅蜂鸟·Campylopterus Delattrei
Campylopterus Delattrei
Campylopterus Delattrei
De Lattre’s Sabre-wing
- 中文名
- 燕尾刀翅蜂鸟·Campylopterus Delattrei
- 学名
- Campylopterus Delattrei
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1850
- 图版号
- Pl. 45, Vol. II
- 原书页码
- p.45
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.93∶1
第一眼
江馆清秋,晨起看竹,烟光日影露气,皆浮动于疏枝密叶之间。
—— 清·郑板桥《题画竹》
郑板桥说他画竹,是先看见“烟光日影露气”在枝叶间浮动,才动手。看画时找这一层空气,比记住花的名字更要紧。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Campylopterus delattrei:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。一百多年前的命名者,把一种植物的来历压进了两个词。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。没有解剖图,就靠主株一处一处看过去:叶怎么排,花怎么着生,果在哪里。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。工艺留下的破绽比题跋更诚实:刻工不会撒谎,上色的人赶时间的时候会。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。诗以气行,画以形立;两种“看”叠在一起,才是看画的意思。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。花语是给人与人的关系用的;植物自己只关心有没有传粉的虫。这两套语言,可以并行不悖。
时与地
热带美洲几乎全年可见,花期即其季节。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1850 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。同一株植物,春秋两季像两种东西;同一座山,一百年前与今天叫两个名字。图把这两样都冻结在了纸上。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。从画稿到成图要过好几双手:转刻的人求准,上色的人求快——快与准之间,就是各幅之间深浅不一的来历。
带走一双眼睛
鉴赏力不是知识,是习惯:每次多看一眼,十年之后你看什么都和别人不一样。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1850 年的那个季节。
关于本图版
本图选自约翰·古尔德的《古尔德蜂鸟图谱》(Gould's Hummingbirds),原书 1849—1887 年间出版。图中描绘的是燕尾刀翅蜂鸟,在分类体系中列于蜂鸟科(Trochilidae)。
该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 45, Vol. II,对应原书第 45 页,版式为纵幅。扫描件取自公有领域原件,经高分辨率修复与色彩校正,可按原大放大查看线条与设色。
原书文字(英文 / 法文)
Mexico and Guatemala
Of all the members of the genus Campylopterus, the present is by far the largest and the most beautifully coloured. It is said to be the boldest species of its race, and to be so extremely pugnacious, that every bird venturing into the neighbourhood of its territory is furiously attacked and driven away; this peculiar feature in the habits of the bird explains the uses of the broad and powerful shafts of the primaries, which form so conspicuous a character in the males of all the Campylopteri.
The present bird is strictly a Mexican and Central American species. I have lately received from Mr. Skinner some very beautiful specimens which were procured in Guatemala by M. Riviera Paz, whom I have had occasion to mention in my account of other species. M. De Lattre, to whom we are indebted for its discovery, and after whom it has been named, states that it is found in the forests of Jalapa during two months of the year only; that it is known by the name of the ‘Suce fleurs-royal,’ and that it feeds during the entire day, and not during any particular hours. He adds that it selects a flowering shrub, which it never quits, and from which it chases with anger all the other species of the family that may seem desirous of approaching it: on taking flight it utters a cry.
Considerable difference exists, not only in the size, but in the colouring of the sexes of this species; the female being very much less and very plainly coloured when compared with the male, and destitute of the dilatations of the shafts of the primaries.
The male has the lores, forehead and crown dull bluish black; behind the eye a small spot of white; all the upper and under surface rich deep violet-blue; wing-coverts, rump and upper tail-coverts green, into which the blue of the upper surface blends; wings dark purplish brown; tail steel-black, the three outer feathers on each side largely tipped with white, slightly margined in some specimens with black; vent greyish white; under tail-coverts steel-black, glossed with green; bill black; feet dark brown.
The female has the head dark bronzy brown; all the upper surface, wing- and tail-coverts and flanks brilliant green, glossed with golden on the back of the neck and wing-coverts; two centre tail-feathers glossed with green for two-thirds of their length from the base; down the centre of the throat a mark of shining greenish blue; remainder of the under surface grey, glossed with green.
The figures represent an adult male, a young male and a female of the size of life. The beautiful flower, which is also indigenous to Guatemala, is the Lælia majalis.
References
- Ornysmia (Campylopterus) DeLattre, Less. Rev. Zool. 1839, p. 14.
- Mellisuga De Lattrei, Gray and Mitch. Gen. of Birds, vol. i. p. 113, Mellisuga, sp. 85.
- Campylopterus delattre, Bonap. Consp. Gen. Av., p. 71, Campylopterus, sp. 7.
- Campylopterus delattrii, Ib. Rev. et Mag. de Zool. 1854, p. 250.
- Campylopterus Delattrei, Reichenb. Aufz. der Colibris, p. 11.