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白耳蜂鸟

Hylocharis cyanea

Hylocharis cyanea

White-throated Sapphire

Pl. 344, Vol. V · p.344 · 1861 · Gould's Hummingbirds · · 1849-1887

中文名
白耳蜂鸟
学名
Hylocharis cyanea
合集
古尔德蜂鸟图谱
绘者
John Gould(约翰·古尔德)
年代
1861
图版号
Pl. 344, Vol. V
原书页码
p.344
授权
CC0 1.0 Universal (Public domain)

关于本图版

此图原刊于《古尔德蜂鸟图谱》(Gould's Hummingbirds),绘者为约翰·古尔德,成书于 1849—1887 年间。图中描绘的是白耳蜂鸟,学名 Hylocharis cyanea,归入蜂鸟科(Trochilidae)。

全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 344, Vol. V,见第 344 页,版式为纵幅。图为公有领域原件的修复扫描,构图与设色未经改动。

原书文字(英文 / 法文)

Eastern Brazil from Rio de Janeiro to Bahia, where it is stationary.

This charming little bird, which is, I believe, strictly confined to the eastern part of Brazil, is very common in every district from Bahia to Rio de Janeiro; in which latter province Mr. Reeves informs me it may be seen at all seasons.

During the month of April it frequents the gardens of the city, adding another to the many charms for which that interesting country is famed. I am not only indebted to Mr. Reeves for the above information, but also for the loan of a highly finished drawing of the nest and eggs of this little gem, fresh from nature, and which is faithfully copied in the accompanying Plate. The construction of the nests of birds, whether simple or complicated, at all times calls forth our admiration; but rarely has this feeling been more forcibly elicited than on the sight of the elegant and beautiful nest made by this species, for a fine example of which, the original of the drawing, I am also indebted to my valued correspondent. It is of a cup-shaped, lengthened form, and constructed of some white cottony substance intermingled with seeds of thistle-down, coated externally with bits of dried leaves, bound together with cobwebs, and decorated with woody fibres, ribbon-like strips of the inner coating of the bark of trees, and other similar materials; these, however, are not always alike, but appear to depend upon the nature of those conveniently at hand on the approach of the breeding season, no two nests being precisely alike in outward appearance, though similar in form. The eggs are two in number, and about three-eighths of an inch in length. It would be unjust to Mr. Reeves’s artist were I to conclude my account of the nest of this species without mentioning in terms of approbation the beautiful and faithful manner in which he has represented this delicate structure.

Some naturalists are of opinion that the numerous specimens sent to Europe as H. cyaneus, constitute more than one species, and that those with a nearly uniform black bill are quite distinct from the true cyanea; I have endeavoured to ascertain how far this opinion may be correct, but I have not as yet been able satisfactorily to determine this point; and until more tangible differences are found to occur, I must consider them to be merely local varieties. Considerable difference occurs in the colouring of the sexes, the female being destitute of the rich blue on the head and throat so conspicuous in the male.

The adult male has the head, throat and breast rich deep blue, with a few of the feathers on the chin white; upper surface and wing-coverts green, passing into reddish bronze on the upper tail-coverts; wings purplish brown; tail bluish black; under surface green; bill fleshy red, deepening into black at the tip; feet brown.

The female has the head and upper surface green, passing into rich bronze on the lower part of the back and upper tail-coverts; wings and tail as in the male, except that the outer feathers of the latter are tipped with greyish; under surface grey, glossed with green on the sides, and the throat spotted with pale blue.

The accompanying Plate represents two males, a female, and a nest and eggs, all of the natural size. The little orchid is a species common to the woods of Brazil, in which the bird is found, but the name of which is unknown to me.

References

  • Trochilus cyaneus, Vieill. Nouv. Dict. d' Hist. Nat., tom. xxiii. p. 426.—Ib. Ency. Méth. Orn., part u. p. 558.—Jard. Nat. Lib. Humming-Birds, vol. i. p. 107. pl. 7.
  • Ornismya cyanea, Less. Hist. Nat. des Ois. Mou., p. 199. pl. 71.—Supp. p. 148. pl. 23.
  • Hylocharis cyanea, Gray and Mitch. Gen. of Birds, vol. i. p. 114, Hylocharis, sp. 31.
  • Thaumatias cyaneus, Bonap. Consp. Gen. Av., p. 78, Thaumatias, sp. 10.

十观

  • 纵幅 1.56∶1
  • 1861 年刊
  • 图版 344, Vol. V

这不是词条,是一条看画的次序:先站定看整体,再认名字、品形色、观构图与刀工——想动笔临它的人,刀工那一段替你标了该学什么;行至中途停下,听一句中国诗——同一朵花,古人是怎么看的;然后是花语、时与地、书与人;最后读一句古文,带走一双看画的眼。

  1. 第一眼

    夫象物必在于形似,形似须全其骨气。

    —— 唐·张彦远《历代名画记》

    形似只是门槛,骨气才是要害。看一株植物,先看它立不立得住——这就是骨气。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。

  2. 名与实

    学名 Hylocharis cyanea:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。双名制的好处是唯一:全世界叫这个名字的,只能是这一种。中文名“白耳蜂鸟”是后人据学名回译的通行叫法,与古书里的旧名未必对得上——名与物之间,总隔着一层翻译。

  3. 形与色

    蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。没有解剖图,就靠主株一处一处看过去:叶怎么排,花怎么着生,果在哪里。

  4. 构图与呼吸

    画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。(高宽比约 1.56∶1)全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。

  5. 一刀一色

    十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。工艺留下的破绽比题跋更诚实:刻工不会撒谎,上色的人赶时间的时候会。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。

  6. 诗境

    夫列子御风而行,泠然善也,旬有五日而后反。

    —— 《庄子·逍遥游》

    蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。把这一句放回画面:画面就是诗句的落点——诗先写气,画后写形,两者在此处接上了。

  7. 花语

    阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。在图谱里,它首先是一个物种,其次才是一种象征——这个次序值得记住。

  8. 时与地

    温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1861 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。《古尔德蜂鸟图谱》成于1849-1887;那一代人对这类鸟的知识,多半来自标本与笼养。看这一类图,不妨把产地和季节都当“据说”来读。

  9. 书与人

    《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘,成于1849-1887。此幅为其中图版 344, Vol. V,见原书第 344 页。图谱是集体工程:绘图、刻版、上色、编纂各有其人,署名的往往只有第一个。

  10. 文心

    竖划三寸,当千仞之高;横墨数尺,体百里之迥。

    —— 南朝宋·宗炳《画山水序》

    三寸的竖线可当千仞高山,几尺横墨能容百里之远。一只蜂鸟只有拇指大,画家却要在几厘米里放下整片花丛——尺度从来不是障碍。古尔德《蜂鸟图谱》(1849—1887)以石版手工上色,金箔衬底,使羽色在纸上仍有金属光;这套图册本身就是十九世纪印刷与收藏狂热合流的产物。读古文不必求全解,先认下这一句:它把“看花”换成了“看人”,你再看这幅图,眼里就多了一层。

带走一双眼睛

鉴赏力不是知识,是习惯:每次多看一眼,十年之后你看什么都和别人不一样。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1861 年的那个季节。

《古尔德蜂鸟图谱》中的其它图版