金尾蜂鸟属·Chrysuronia Humboldti
Chrysuronia Humboldti
Chrysuronia Humboldti
Humboldt’s Humming-bird
- 中文名
- 金尾蜂鸟属·Chrysuronia Humboldti
- 学名
- Chrysuronia Humboldti
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1861
- 图版号
- Pl. 327, Vol. V
- 原书页码
- p.327
- 授权
- CC0 1.0 Universal (Public domain)
关于本图版
此图原刊于《古尔德蜂鸟图谱》(Gould's Hummingbirds),绘者为约翰·古尔德,成书于 1849—1887 年间。画面主体是金尾蜂鸟(Chrysuronia Humboldti),归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 327, Vol. V,见第 327 页,版式为纵幅。扫描件取自公有领域原件,经高分辨率修复与色彩校正,可按原大放大查看线条与设色。
原书文字(英文 / 法文)
The banks of the river Miva in the province of Esmeraldas in Ecuador
In the eyes of the naturalist the diminutive Humming-bird and the gigantic Eagle, the smallest animalcule and the largest Whale, are of equal interest; otherwise it could not have been deemed complimentary to name such a minute bird after so great a man as the illustrious Humboldt, whose merits are so varied, that, in whatever light they may be estimated, it may be truly said that few brighter stars have ever graced the roll of fame: in the death of Baron Humboldt, the devotee of the higher walks of science, as well as the more humble zoologist, has to mourn the departure of one whose genius shed a lustre not only over his own nation, but over every other where science is cultivated.
It gives me no little pleasure to figure a bird named after this great man, and to state that it is an inhabitant of that part of the world to which he devoted so much attention, and the exploration of which I know, from personal conversation with him, had left such pleasing reminiscences in his memory. The Chrysuronia Humboldti, then, is from the rich country of Ecuador. The few specimens hitherto sent to Europe have been procured on the banks of the River Miva, in the province of Esmeraldas. At present the bird is rarely met with in our collections; those in my own, comprising an example of each sex, were received through France by way of Paris.
The female presents the usual difference,—the blue colouring of the head, which is so conspicuous in the male, being absent in the opposite sex.
The male has the head and throat fine deep blue; upper surface and wing-coverts golden-green; wings purplish brown; tail bronzy green; breast shining green; under surface bronzy green, with a streak of white down the centre of the abdomen; bill apparently flesh-colour.
The female has the upper surface coppery bronze; wings purplish brown; central tail-feathers green; lateral feathers brown glossed with green and tipped with white; under surface dull white, spangled with green on the breast and flanks.
The figures are of the size of life.
References
- Trochilus Humboldtii, Bourc. et Muls. Ann. Sci. Phys. &c. de Lyon, May 7, 1852.
- Chrysuronia Humboldtii, Reich. Auf. der Col., p. 9.
- Chrysuronia humboldti, Bonap. Rey. Zool. 1854, p. 254.
十观
- 纵幅 1.36∶1
- 1861 年刊
- 图版 327, Vol. V
第一眼
江馆清秋,晨起看竹,烟光日影露气,皆浮动于疏枝密叶之间。
—— 清·郑板桥《题画竹》
郑板桥说他画竹,是先看见“烟光日影露气”在枝叶间浮动,才动手。看画时找这一层空气,比记住花的名字更要紧。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Chrysuronia humboldti:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。名字是通行证,也是懒办法——记住两个词,就抓住了一整个物种。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。画幅高而窄,形与色的关系因此看得格外清楚:先读轮廓,再读色层,最后才看笔触。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。(高宽比约 1.36∶1)全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。空白不是没画完,是给眼睛留的落脚处:一张图若四边都塞满,花反而会闷。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。工艺留下的破绽比题跋更诚实:刻工不会撒谎,上色的人赶时间的时候会。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。把这一句放回画面:画面就是诗句的落点——诗先写气,画后写形,两者在此处接上了。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。象征会随世道改口:同一只鸟,在一个世纪里可以说完全相反的话。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1861 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。看叶的老嫩、花与果是否同在枝上,季节便八九不离十;看题名里藏着的地名,来路也猜得出七分。
书与人
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘,成于1849-1887。此幅为其中图版 327, Vol. V,见原书第 327 页。图版今属公有领域,可以自由取用;但纸上那层手工上色,仍是两百年前某一个人的手。
带走一双眼睛
把这三件事带走:先整体后细节;先线后色;先看画再翻书。任何一张老图版,都可以用这三条读。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1861 年的那个季节。