Heliodoxa Otero
Heliodoxa Otero
Otero Brilliant
- 学名
- Heliodoxa Otero
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1850
- 图版号
- Pl. 96, Vol. II
- 原书页码
- p.96
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.52∶1
第一眼
论画以形似,见与儿童邻。
—— 宋·苏轼《书鄢陵王主簿所画折枝》
只求画得像,是小孩的眼光。苏轼不是不要形似,是说形似之后还有一层:神。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Heliodoxa otero:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。双名制的好处是唯一:全世界叫这个名字的,只能是这一种。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。别只看花:叶脉的走向、萼片的长短、甚至茎上的毛,都是画家用来区分物种的证据。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。拿放大镜(或手机微距)看三处:喙缘、覆羽、题名。线若连续不断,是刻的;色若越过轮廓半毫米,是手涂的。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。古人写到这一层,已不只是赏花,是借花说人;画面则只负责把那朵花留住。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。花语是给人与人的关系用的;植物自己只关心有没有传粉的虫。这两套语言,可以并行不悖。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1850 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。同一株植物,春秋两季像两种东西;同一座山,一百年前与今天叫两个名字。图把这两样都冻结在了纸上。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。图版今属公有领域,可以自由取用;但纸上那层手工上色,仍是两百年前某一个人的手。
带走一双眼睛
把这三件事带走:先整体后细节;先线后色;先看画再翻书。任何一张老图版,都可以用这三条读。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1850 年的那个季节。
关于本图版
此图原刊于《古尔德蜂鸟图谱》(Gould's Hummingbirds),绘者为约翰·古尔德,成书于 1849—1887 年间。图中描绘的是 Heliodoxa Otero,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 96, Vol. II,见第 96 页,版式为纵幅。扫描件取自公有领域原件,经高分辨率修复与色彩校正,可按原大放大查看线条与设色。
原书文字(英文 / 法文)
Peru and Bolivia
How manifestly is the law of representation exhibited in certain species of Humming-Birds inhabiting similar latitudes north and south of the equator!
The Heliodoxa Otero and H. Leadbeateri are two species which will serve well to illustrate this theory—the one inhabiting Bolivia, on the south, the other Columbia, on the north. I am not a little surprised that some ornithologists have considered these two birds as one and the same species; an Eagle and a Buzzard can scarcely offer greater differences in size than the Otero and Leadbeateri: the former, moreover, differs in having the blue on the crown extended backwards towards the occiput, and the green colouring of the breast finer, if possible, and more glittering; in other respects a great similarity exists in the two species.
The discovery and characterization of this fine bird are due to Dr. von Tschudi, the celebrated traveller, whose work entitled ‘Fauna Peruana’ will form a lasting memorial of his ability and zeal in the cause of science. ‘The specimens in my own collection were principally procured by Mr. Bridges, during his short residence near La Paz, but I have one example which I obtained in exchange from the Museum at Copenhagen. All these specimens closely resemble each other, and are of much larger size than the H. Leadbeateri. The two species appear never to encroach upon each other’s country. I have not yet seen either species from Ecuador.
How must every lover of natural history, particularly the trochilidist, yearn to acquire some information respecting the mode of life, flight, food, &c., of the various forms of Humming-Birds, in all which respects they will doubtless be found to differ as much as these little ornithological gems do in their colouring and structure!
The entire crown of the male is of a brilliant metallic blue; the throat and breast luminous green; occiput and nape reddish bronze, appearing black when viewed in front; back, upper and under wing-coverts, upper tail-coverts, abdomen and flanks bronzy green; wings purplish brown; upper tail-coverts and two central tail-feathers pure bronze, the remaining tail-feathers black, glossed with bronze; behind the eye a small patch of white; bill black; feet dark brown.
The female has the upper surface bronzy green, marked with deeper bronze on the nape; wings purplish brown; four centre tail-feathers bronze, the remainder bluish black, glossed with bronze on the outer webs and tipped with greyish white; under surface white, spangled with green; vent pale buff.
The Plate represents the two sexes of the natural size. The plant is the Echites Franciscea.
References
- Trochilus Otero, Tschudi, Consp. Av., No. 212.—Ib. Faun. Peruana, p. 39, tab. xxui. fig. 2.
- Leadbeatera otero, Reichenb. Auf. der Col., p. 7—Bonap. Rev. et Mag. de Zool. 1854, p. 251.