Heliotrypha Parzudaki
Heliotrypha Parzudaki
Parzudaki’s Star-frontlet
- 学名
- Heliotrypha Parzudaki
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1854
- 图版号
- Pl. 240, Vol. IV
- 原书页码
- p.240
- 授权
- CC0 1.0 Universal (Public domain)
关于本图版
这幅图版出自《古尔德蜂鸟图谱》(Gould's Hummingbirds),由约翰·古尔德绘制,1849—1887 年间出版。图中描绘的是 Heliotrypha Parzudaki,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 240, Vol. IV,见第 240 页,版式为纵幅。图为公有领域原件的修复扫描,构图与设色未经改动。
原书文字(英文 / 法文)
New Granada; and Ecuador, where it is rare
Two very different birds—inhabitants of distant countries—have evidently been confounded under the specific name of Parzudaki; this has, I think, been clearly and rightly pointed out by my good friend Reichenbach, who considers the Parzudaki of Lesson in the ‘Revue Zoologique’ for 1838, p. 315, to be different from the Ornismya Parzudaki described in the same work two years later.
The description published in 1838 doubtless refers to the rare little bird inhabiting Cuba, and now so well known to Trochilidists as the Orthorhynchus Riccordii of Ramon de la Sagra, the Sporadinus Riccordi of Bonaparte and later writers. The bird described in 1840, which is an inhabitant of Bogota and the Andean ranges to the northward of that province, is equally well known to all who have paid any attention to this group of birds, as well as to every dealer in bird-skins, as the “Parzudaki.” Under these circumstances, I have considered it best to retain this name for the bird here represented, which is a finer and more beautiful species than the bird inhabiting Cuba.
So much on the subject of the nomenclature of the bird; a little, and only a little more remains to be . said respecting its history, where it occurs in a state of nature, &c. Since the attention of collectors has been directed to the rich stores of the great Andean ranges, this bird has been sent from thence in such numbers that it has become quite a drug in the bird-market. The great emporium of Bogota is the source from which it has been mostly sent; but I possess examples collected at Popayan and in the more southern country of Quito. The specimens from the last-mentioned locality were sent to me by Professor Jameson, who had procured them in the warm forests of Papallacta, which I believe is the extreme limit of its range in a southerly direction. The intermediate country of Popayan would appear to be the centre of the area over which it extends, as I have never seen examples from any locality northward of Bogota or southward of Quito.
In its general contour the Heliotrypha Parzudaki is as elegant as in its colouring it is beautiful.
The male has a minute spot of luminous green on the forehead, at the base of the upper mandible; on the chin a patch of deep indigo-blue; down the centre of the throat a broad mark of metallic lilaceous crimson, below which is a broad crescentic band of glittering green; crown of the head, all the upper surface, wing-coverts, tail-coverts, flanks, and abdomen dark green, brightest on the upper part of the back, but in certain lights the crown of the head and sides of the neck appear to be black; wings dark purplish brown; two centre tail-feathers bronzy green; the remainder dark bronzy purple; vent and under tail-coverts white, with a faint streak of brown down the centre of each feather; bill black; feet dark brown.
The female has a bar of shining metallic green on the forehead; remainder of the upper surface and the abdomen grass-green; throat brown, with a large patch of white in the centre; tail as in the male, but the outer feathers slightly tipped with grey.
The Plate represents the two sexes, of the size of life, on the beautiful Orchid called Catasetum callosum, var. grandiflorum.
References
- Ornismya Parzudaki, Long. et Parz. Rey. Zool. 1840, p. 72.
- Mellisuga Parzudaki, Gray and Mitch. Gen. of Birds, vol. i. p. 112, Mellisuga, sp. 18.
- Heliangelus Parzudaki, Bonap. Consp. Gen. Ay., p. 76, Heliangelus, sp. 4.
- Heliotrypha Parzudakii, Bonap. Rey. et Mag. de Zool., 1854, p. 252.—Sclat. in Proc. of Zool. Soc., part xxii. p. 40.
- Trochilus exortis, Fras. Proc. of Zool. Soc., part viii. p. 14.
- Parzudakia dispar, Reichenb. Auf. der Col., p. 12.
十二观
- 纵幅 1.37∶1
- 1854 年刊
- 图版 240, Vol. IV
这不是词条,是一条看画的次序:先站定看整体,再看名字与形色、构图与刀工,然后问它几时开、从哪里来、经了谁的手;最后是中国诗文——同一朵花,中国古人是怎么看的。十二观读完,这幅图就打开了。
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第一眼
江馆清秋,晨起看竹,烟光日影露气,皆浮动于疏枝密叶之间。
—— 清·郑板桥《题画竹》
郑板桥说他画竹,是先看见“烟光日影露气”在枝叶间浮动,才动手。看画时找这一层空气,比记住花的名字更要紧。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
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名与实
学名 Heliotrypha parzudaki:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。一百多年前的命名者,把一种植物的来历压进了两个词。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
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形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。画幅高而窄,形与色的关系因此看得格外清楚:先读轮廓,再读色层,最后才看笔触。
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构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。(高宽比约 1.37∶1)全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
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一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。还有一种证据在纸背:铜版压进纸里的那道痕、上色处微微凸起的颜料、再版时磨浅的线。扫描件里也能看出七分。
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时序
热带美洲几乎全年可见,花期即其季节;温带种类的蜂鸟则随花北迁,一年往返数千公里。图上所记的 1854 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。看这一类图最好的时候,是它的花期:文字说不清的“开得正盛”,在树下站三分钟就懂了。
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故土
仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。这类植物的旅程比图版本身更长:从一座山到另一座山,从一种语言换到另一种语言。
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书与人
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘,成于1849-1887。此幅为其中图版 240, Vol. IV,见原书第 240 页。图谱是集体工程:绘图、刻版、上色、编纂各有其人,署名的往往只有第一个。
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诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。诗以气行,画以形立;两种“看”叠在一起,才是看画的意思。
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文心
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
三寸的竖线可当千仞高山,几尺横墨能容百里之远。一只蜂鸟只有拇指大,画家却要在几厘米里放下整片花丛——尺度从来不是障碍。古尔德《蜂鸟图谱》(1849—1887)以石版手工上色,金箔衬底,使羽色在纸上仍有金属光;这套图册本身就是十九世纪印刷与收藏狂热合流的产物。中外的分别不在谁高明,而在问的问题不同:欧洲问它是什么,中国问它像谁。两个问题都答了,一幅图才算读完。
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花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。象征会随世道改口:同一只鸟,在一个世纪里可以说完全相反的话。
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带走一双眼睛
下次看鸟,别急着认名:先看它停的姿态,再看羽色在哪一段最深,最后才翻图鉴——顺序一换,看鸟就从“对答案”变成了“看画”。1854 年的那只鸟早已化作尘土,它留在纸上的样子,却比任何一只活着的同类都长寿。