棕臀白尾梢蜂鸟
Urosticte ruficrissa
Urosticte ruficrissa
Red-vented White-tip
- 中文名
- 棕臀白尾梢蜂鸟
- 学名
- Urosticte ruficrissa
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1887
- 图版号
- Pl. 384, Suppl. Vol.
- 原书页码
- p.384
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.42∶1
第一眼
论画以形似,见与儿童邻。
—— 宋·苏轼《书鄢陵王主簿所画折枝》
只求画得像,是小孩的眼光。苏轼不是不要形似,是说形似之后还有一层:神。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Urosticte ruficrissa:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。一百多年前的命名者,把一种植物的来历压进了两个词。中文名“棕臀白尾梢蜂鸟”是后人据学名回译的通行叫法,与古书里的旧名未必对得上——名与物之间,总隔着一层翻译。
形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。颜色不是平涂的:最浅处近乎纸色,最深处在花瓣重叠的缝里。把这两处找到,画面的呼吸就出来了。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。空白不是没画完,是给眼睛留的落脚处:一张图若四边都塞满,花反而会闷。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。工艺留下的破绽比题跋更诚实:刻工不会撒谎,上色的人赶时间的时候会。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
夫列子御风而行,泠然善也,旬有五日而后反。
—— 《庄子·逍遥游》
蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。把这一句放回画面:画面就是诗句的落点——诗先写气,画后写形,两者在此处接上了。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。象征会随世道改口:同一只鸟,在一个世纪里可以说完全相反的话。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1887 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。同一株植物,春秋两季像两种东西;同一座山,一百年前与今天叫两个名字。图把这两样都冻结在了纸上。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。版画是集体工程:绘图、刻版、上色各有其人,真正决定这幅图好不好看的,常是没留下名字的刻工与上色师。
带走一双眼睛
如果只能记一句,就记郭熙那八个字:远望取其势,近看取其质。看图、看花、看人,都一样。图谱的用意是“以备查考”,看久了却会忘记查考:1887 年的一个人,为一只鸟花了整整一天。
关于本图版
此图原刊于《古尔德蜂鸟图谱》(Gould's Hummingbirds),绘者为约翰·古尔德,成书于 1849—1887 年间。图中描绘的是棕臀白尾梢蜂鸟,学名 Urosticte ruficrissa,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 384, Suppl. Vol.,见第 384 页,版式为纵幅。图为公有领域原件的修复扫描,构图与设色未经改动。
原书文字(英文 / 法文)
The genus Urosticte was established by me in my introduction to the present Monograph for the reception of the single species at that time known, U. benjamini.
The bill is much longer than the head, and straight, the tail being slightly forked, and the tarsi clothed. One special characteristic is the beautiful luminous throat; while the sexes are different in colour; the female being much less brightly plamaged. Its nearest ally would appear to be the genus Heliangelus, which it resembles in form of bill, this being straight as in the last-named genus, but more slender.
Since finishing my Monograph a second species of Urosticte has been described by my friend Mr. G. N. Lawrence, who has bestowed on it the appropriate name of U. ruficrissa. It is nearly allied to U. benjamini, and, like that species, has the central tail-feathers bronzy and tipped with white; it wants, however, the beautiful violet spot on the throat, which is so conspicuous in the above-named bird, having this part entirely green; and it is further distinguished by its rufous under tail-coverts.
The home of the present bird, like that of its congener, is Ecuador.
Mr. Elliot, in his excellent ‘Synopsis,’ has given a very good diagnosis for the species, which I here reproduce:—
Male. General plumage dark shining green. Throat luminous grass-green. Wings purplish brown. Under tail-coverts rufous. Tail pale bronze-green, with the four median feathers tipped with white. Bill black, feet brown. Total length 4 inches, wing 2, tail 2
, culmen . Female. Exactly like the female of U. benjamini, but slightly larger and with a longer bill.
The Plate represents two males and a female, drawn from the typical specimens lent to me by Mr. Lawrence.
References
- Urosticte ruficrissa, Lawrence, Annals of the Lyceum of Nat. Hist. New York, viii. p. 44 (1864).—Sclater & Salv. Nomencl. Av. Neotr. p. 87 (1873).—Muls. Hist. Nat. Oiseaux-Mouches, ii. p. 103 (1876).—Elliot, Synopsis of the Humming-Birds, p. 90 (1878).