Aglæactis caumatonota
Aglæactis caumatonota
Black-throated Sunbeam
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1887
- 图版号
- Pl. 407, Suppl. Vol.
- 原书页码
- p.407
- 授权
- CC0 1.0 Universal (Public domain)
关于本图版
此图原刊于《古尔德蜂鸟图谱》(Gould's Hummingbirds),绘者为约翰·古尔德,成书于 1849—1887 年间。图中描绘的是 Aglæactis caumatonota,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 407, Suppl. Vol.,见第 407 页,版式为纵幅。图为公有领域原件的修复扫描,构图与设色未经改动。
原书文字(英文 / 法文)
The specimen from which my description was taken is still in my cabinet, with the word “type” written on its label.
The country of this bird is Peru, and the name of the district Ecachipata, which is over 11,000 feet above the sea. As regards its habits, Mr. H. Whitely says that its flight is slow and peculiar, and should be watched by every one who has an opportunity of visiting that part of the country.
The Aglæactis caumatonota is the smallest species of the genus, and more nearly allied to A. cupreipennis than any other; but any novice would distinguish the differences between the two at a glance. In the present bird a triangular patch of brown covers the throat, which is superseded by a band of yellowish brown; below this springs the usual tuft of lengthened feathers which hangs from the centre of the chest. The luminous colouring of the middle of the back is a deep rosy red with a band of puce colour above.
The tuft of lengthened lance-shaped feathers which hangs so gracefully from the chest is found in both sexes, although it is much smaller in the female than in the male; the same difference also occurs on the back, where the colours are reversed. If you look up the feathers, the bird is seen in all its glory, particularly when it is dipping the bill in the flower on the level of the eye; but give the bird a fright, he turns upon you in the twinkling of an eye, frequently darting off in a straight line like a flash of lightning.
Of this peculiar form there are four species: three of them are figured in my ‘Monograph;’ the other is the present bird, which would have accompanied them if the unique specimen had been better in colour.
In the ‘Proceedings of the Zoological Society’ for 1873, p. 187, is a paper on the Humming-birds of High Peru, received from Mr. H. Whitely December 17th, 1872, in which he says concerning the present species, “They are among the most fearless of the Humming-birds, as I have sat down near one which was perched on a dry twig, and watched it for a long time, without its taking the least notice of me.”
Mr. O. Salvin tells me that the Humming-birds with short bills frequently get their food from the funnel-shaped flowers, as represented in the opposite drawing. These little birds do not ascend the interior of the flower, but hang on the upper part of the funnel, putting their small bills through the sides, when their lengthened tongues act as feelers. After all the insects are gathered, they dart away to other parts, each returning again at a given time to the same flower and performing the same actions.
The following is from my description in the ‘ Proceedings of the Zoological Society,’ 1848, page 12:—
In an immature state, “Crown of the head brown; lores, chest, and under surface cinnamon-brown; throat crossed by a bar of blackish brown; flanks clouded with the same; from the lower part of the chest springs a tuft of lengthened feathers, which are dark brown at the base and buff at the tip; wings bronzy olive; tail cinnamon-brown, except in the upper or exposed portion, which is rich bronzy olive; back and upper tail-coverts shining purplish lilac, which colour is only seen when the feathers are looked at in the reverse direction.
Total length 4
inches, bill , wing 3 , tail 1 , tarsi . Habitat. Peru.
The Plate represents a male and a female, of the natural size.
References
- Aglæactis caumatonotus, Gould, Proc. Zool. Soe. 1848, p. 12.—Bon. Consp. Gen. Av. vol. i. p. 73 (1850).
- Helhanthea caumatonota, Reich. Troch. Enum. p. 5 (1855).
- Aglaïactis caumatonota, Reich. & Heine, Mus. Hein. vol. ii. p. 70, note 4 (1860).
- Aglæactis caumatonota, Gould, Int. Troch. p. 106 (1861).—Elliot, Syn. p. 186.—Whitely, Proc. Zool. Soc. 1873, p. 190.
- Aglæactis olwaceocauda, Lawr. Ann. N.Y. Lye. Nat. Hist. 1867, p. 470.—Mulsant, Hist. Nat. Oiseaux-Mouches, tom. iii. p. 26 (1875).
十二观
- 略纵 1.20∶1
- 1887 年刊
- 图版 407, Suppl. Vol.
这不是词条,是一条看画的次序:先站定看整体,再看名字与形色、构图与刀工,然后问它几时开、从哪里来、经了谁的手;最后是中国诗文——同一朵花,中国古人是怎么看的。十二观读完,这幅图就打开了。
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第一眼
六法者何?一、气韵生动是也;二、骨法用笔是也;三、应物象形是也;四、随类赋彩是也;五、经营位置是也;六、传移模写是也。
—— 南齐·谢赫《古画品录》
一千五百年前的六条标准:气韵、用笔、形似、设色、构图、临摹。你在这幅图上一样样对过去,就是一次完整的读画。这一幅略高于宽,落点在中央偏上那只鸟的头部。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
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名与实
没有学名可依,就看题名:题名里往往藏着产地、赠者或一句形容。此幅既无通行中文名,学名也不可靠,只能以原书题名相称——图谱里总有几幅这样的图,只能靠画面本身说话。
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形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。别只看花:叶脉的走向、萼片的长短、甚至茎上的毛,都是画家用来区分物种的证据。
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构图与呼吸
画幅略高于宽,鸟身居中偏上,视线落在头部与喙。(高宽比约 1.20∶1)全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。空白不是没画完,是给眼睛留的落脚处:一张图若四边都塞满,花反而会闷。
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一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。拿放大镜(或手机微距)看三处:喙缘、覆羽、题名。线若连续不断,是刻的;色若越过轮廓半毫米,是手涂的。
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时序
热带美洲几乎全年可见,花期即其季节;温带种类的蜂鸟则随花北迁,一年往返数千公里。图上所记的 1887 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。花期短,画期长:一幅这样的图,往往要等一整个春天;画上那朵,是等来的,不是想来的。
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故土
仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。《古尔德蜂鸟图谱》成于1849-1887,那一代人对这类鸟的知识,多半来自标本与笼养,而不是野地。
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书与人
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘,成于1849-1887。此幅为其中图版 407, Suppl. Vol.,见原书第 407 页。图谱是集体工程:绘图、刻版、上色、编纂各有其人,署名的往往只有第一个。
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诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。把这一句放回画面:画面就是诗句的落点——诗先写气,画后写形,两者在此处接上了。
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文心
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
三寸的竖线可当千仞高山,几尺横墨能容百里之远。一只蜂鸟只有拇指大,画家却要在几厘米里放下整片花丛——尺度从来不是障碍。古尔德《蜂鸟图谱》(1849—1887)以石版手工上色,金箔衬底,使羽色在纸上仍有金属光;这套图册本身就是十九世纪印刷与收藏狂热合流的产物。记住这一句,下次在别处见到同类,它会自己浮上来——鉴赏力就是这样一句一句攒出来的。
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花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。花语是给人与人的关系用的;植物自己只关心有没有传粉的虫。这两套语言,可以并行不悖。
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带走一双眼睛
如果只能记一句,就记郭熙那八个字:远望取其势,近看取其质。看图、看花、看人,都一样。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1887 年的那个季节。