篱笆豆粉蝶·Lesbia Amaryllis
Lesbia Amaryllis
Lesbia Amaryllis
Train-bearer
- 中文名
- 篱笆豆粉蝶·Lesbia Amaryllis
- 学名
- Lesbia Amaryllis
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1852
- 图版号
- Pl. 170, Vol. III
- 原书页码
- p.170
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.46∶1
第一眼
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
三寸的竖线可当千仞高山,几尺横墨能容百里之远。尺幅从来不是障碍,取舍才是本事。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Lesbia amaryllis:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。双名制的好处是唯一:全世界叫这个名字的,只能是这一种。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。看形制不必求全:记住喙形、翼式与栖姿,这一类的骨架就立住了。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。空白不是没画完,是给眼睛留的落脚处:一张图若四边都塞满,花反而会闷。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。先判断它是“印”的还是“画”的,再谈好不好看——这是看老版画最实用的一条规矩。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
夫列子御风而行,泠然善也,旬有五日而后反。
—— 《庄子·逍遥游》
蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。古人写到这一层,已不只是赏花,是借花说人;画面则只负责把那朵花留住。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。象征会随世道改口:同一只鸟,在一个世纪里可以说完全相反的话。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1852 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。看叶的老嫩、花与果是否同在枝上,季节便八九不离十;看题名里藏着的地名,来路也猜得出七分。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。版画是集体工程:绘图、刻版、上色各有其人,真正决定这幅图好不好看的,常是没留下名字的刻工与上色师。
带走一双眼睛
鉴赏力不是知识,是习惯:每次多看一眼,十年之后你看什么都和别人不一样。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1852 年的那个季节。
关于本图版
本图选自约翰·古尔德的《古尔德蜂鸟图谱》(Gould's Hummingbirds),原书 1849—1887 年间出版。图中描绘的是篱笆豆粉蝶,学名 Lesbia Amaryllis,在分类体系中列于蜂鸟科(Trochilidae)。
该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 170, Vol. III,对应原书第 170 页,版式为纵幅。图像由公有领域原件扫描修复而来,细节在放大视图中仍清晰可辨。
原书文字(英文 / 法文)
New Granada, Ecuador, and Peru
It must, I think, be apparent to every one who has studied natural history, that in every true genus some one character or set of characters predominates over the rest; and I may remark that in no department of this branch of science is this feature more conspicuous than among birds, where, in addition to some distinctive character being common to all the species of a genus, we frequently find that character carried in one or other of them to an extent far greater than in any of the others.
In the genus Lesbia, the dominant feature is the great development of the tail-feathers, and it would appear to be carried to the utmost extent in the Lesbia Amaryllis, the feathers being very much longer in that species than in any other.
The native country of this singularly graceful bird, as well as of every other member of the genus, is the temperate regions of the Andes, for about ten degrees on each side of the equator. The Lesbia Amaryllis may be said to be strictly equatorial, being most abundant in Ecuador; its range, however, extends southward to Peru and northward to Bogota; in all the countries within this area, wherever situations favourable to its existence occur, it is to be found. Professor Jameson states that it frequents the gardens in the city of Quito, and is so familiar a bird that it is well known to every one. Mr. Mark, Her Majesty’s Consul at Bogota, tells me that it is equally common in Bogota; that it was a daily visitor in the garden of his house, and was particularly fond of searching the flowers of the scarlet geraniums after a shower; if not frightened, it would then rest itself upon the plants and shrubs close to the window; when poised in the air with outspread tail, the rapid motion of its wings made a loud humming noise.
Like many other members of the family, this bird is very pugnacious, and frequent combats take place between the males whenever one intrudes into the domain of another, the contest being carried on in the air, and the combatants rising, falling, and continuing to fight after the manner described by Mr. Gosse when speaking of Lampornis Mango, in his interesting “Birds of Jamaica.”
The female differs very considerably from the male both in size and colouring, and in the lesser development of the outer tail-feathers.
Among the numerous specimens sent to this country, young male examples may be found in every state of change from youth to maturity.
The male has the crown of the head, upper surface, wing-coverts, sides of the neck and under surface golden green; on the chin and throat a lengthened patch of brilliant metallic yellowish green; wings purplish brown; tail-feathers dull black, each tipped with rich greenish bronze; basal portion of the under surface of the shafts of the outer feathers brownish white; vent and under tail-coverts buff.
The very old female has the upper surface golden green; tail-feathers shorter than those of the male, and the shaft and external web of the outer one buff for two-thirds of its length from the base; down the centre of the throat a patch of brilliant metallic orange, on each side of which is a double row of brilliant green spots on a white ground; feathers of the chest greyish white with a spot of brilliant green at the tip of each.
In the young males the general colouring resembles that of the adult, but the throat-mark is merely indicated by a few specks of brilliant green on a buffy-grey ground, and the tail-feathers are much less developed.
The figures represent two males and a female on a species of Passiflora, of the natural size.
References
- Trochilus Amaryllis, Boure. et Muls. Rev. Zool. 1848, p. 273.—Gray and Mitch. Gen. of Birds, vol. ni. Supp. App. 30a, App. to p. 103.
- Cynanthus amaryllis, Bonap. Consp. Troch. in Rey. et Mag. de Zool. 1854, p. 252.