篱笆豆粉蝶·Lesbia Gouldi
Lesbia Gouldi
Lesbia Gouldi
Bogota Train-bearer
- 中文名
- 篱笆豆粉蝶·Lesbia Gouldi
- 学名
- Lesbia Gouldi
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1852
- 图版号
- Pl. 167, Vol. III
- 原书页码
- p.167
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.79∶1
第一眼
江馆清秋,晨起看竹,烟光日影露气,皆浮动于疏枝密叶之间。
—— 清·郑板桥《题画竹》
郑板桥说他画竹,是先看见“烟光日影露气”在枝叶间浮动,才动手。看画时找这一层空气,比记住花的名字更要紧。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Lesbia gouldi:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。一百多年前的命名者,把一种植物的来历压进了两个词。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。没有解剖图,就靠主株一处一处看过去:叶怎么排,花怎么着生,果在哪里。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。先判断它是“印”的还是“画”的,再谈好不好看——这是看老版画最实用的一条规矩。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
夫列子御风而行,泠然善也,旬有五日而后反。
—— 《庄子·逍遥游》
蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。古人写到这一层,已不只是赏花,是借花说人;画面则只负责把那朵花留住。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。在图谱里,它首先是一个物种,其次才是一种象征——这个次序值得记住。
时与地
热带美洲几乎全年可见,花期即其季节。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1852 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。看叶的老嫩、花与果是否同在枝上,季节便八九不离十;看题名里藏着的地名,来路也猜得出七分。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。从画稿到成图要过好几双手:转刻的人求准,上色的人求快——快与准之间,就是各幅之间深浅不一的来历。
带走一双眼睛
下次看鸟,别急着认名:先看它停的姿态,再看羽色在哪一段最深,最后才翻图鉴——顺序一换,看鸟就从“对答案”变成了“看画”。1852 年的那只鸟早已化作尘土,它留在纸上的样子,却比任何一只活着的同类都长寿。
关于本图版
《古尔德蜂鸟图谱》(Gould's Hummingbirds)由约翰·古尔德绘制,1849—1887 年间印行,本图即其中一幅。图中描绘的是篱笆豆粉蝶,学名 Lesbia Gouldi,在分类体系中列于蜂鸟科(Trochilidae)。
该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 167, Vol. III,对应原书第 167 页,版式为纵幅。图像由公有领域原件扫描修复而来,细节在放大视图中仍清晰可辨。
原书文字(英文 / 法文)
The high lands of New Granada, particularly the neighbourhood of Bogota
At the scientific meeting of the Zoological Society of London held on the 10th of January, 1832, Mr. Loddiges brought before the notice of the members present, a series of Humming Birds, which he considered to be new to science, one of which—the bird here represented—he was pleased to dedicate to myself, calling it Trochilus Gouldii subsequently it was characterized by M. Lesson as Ornismya sylphia, a name which I would gladly retain, did not the tacit understanding which now prevails among naturalists, that the appellation first given should be the one adopted, preclude me from so doing; for although fully appreciating the kindness of my late friend, I would rather that a more appropriate designation had been given to it, and regret that the law above referred to will not allow me to employ that of sylphia, which would have been singularly applicable, inasmuch as the form of the bird is exceedingly elegant, and its actions, according to report, are light and sylph-like.
Although only twenty-five years have elapsed since its first discovery, few birds have become more common, it being literally sent in thousands from that great emporium for Humming-bird collectors, Santa Fé de Bogota, where it ranges over an area, of which the city of Bogota may be considered the centre, of ‘about one thousand miles along the temperate regions of the Andes. In Ecuador and Peru its place appears to be filled by other nearly allied species.
As is the case with all the members of this genus, the sexes of the present species differ considerably both in size and colouring; the female, as will be seen on reference to the accompanying Plate, being much less splendidly adorned than her mate.
The male has the head green; back of the neck, back, and wing-coverts golden green; wings purplishbrown; rump, upper tail-coverts, and all but the two outer tail-feathers, resplendent grass-green; two outer tail-feathers dark brown for two-thirds of their length, the apical third glossed with green, increasing in brilliancy to the apex; throat luminous grass-green; remainder of the under surface golden green; bill black; feet brown.
The female has the whole of the upper surface golden green; the rump and central tail-feathers of a yellower green than in the male; and the outer feathers, which are not more than half the length of the corresponding feathers in the male, brown, with the basal two-thirds of the outer web, the shaft and the tip buffy grey; under surface grey, speckled with bronzy green.
The Plate represents the two sexes of the size of life. The plant is the Sobralia fragrans.
References
- Trochilus Gouldii, Lodd. in Proc. of Comm. of Sei. and Corr. of Zool. Soe., part ii. p. 7.
- Ornismya sylphia, Less. Rev. Zool. 1840, p. 73.
- Mellisuga Gouldii, Gray and Mitch. Gen. of Birds, vol. i. p. 118, Mellisuga, sp. 51.
- Cynanthus gouldi, Bonap. Consp. Gen. Av., p. 81, Cynanthus, sp. 4.—Ib. Rev. et Mag. de Zool. 1854, p. 252.
- Lesbia Gouldii, Reichenb. Aufz. der Colibris, p. 8.—Ib. Troch. enumer., p. 5. pl. dccxii. figs. 4615-4617.