Thalurania nigrofasciata
Thalurania nigrofasciata
Black-banded Wood-Nymph
- 学名
- Thalurania nigrofasciata
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1850
- 图版号
- Pl. 104, Vol. II
- 原书页码
- p.104
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 略纵 1.25∶1
第一眼
真山水之川谷,远望之以取其势,近看之以取其质。
—— 宋·郭熙《林泉高致·山水训》
远看取其气势,近看取其质地。八个字,就是看画的两步:先退后看整体,再凑近看笔与色。看花鸟图版一样管用。这一幅略高于宽,落点在中央偏上那只鸟的头部。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名 Thalurania nigrofasciata:前一词是属,管它归在哪一类;后一词是种加词,管它在这一类里凭什么与众不同。名字是通行证,也是懒办法——记住两个词,就抓住了一整个物种。此幅尚无通行中文名,姑以学名相称;在没有本地名字的地方,学名就是它唯一的身份证。
形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。看羽:先看覆羽的层次,再看飞羽的排列,最后才看颜色——颜色是最后才被注意到的部分。
构图与呼吸
画幅略高于宽,鸟身居中偏上,视线落在头部与喙。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。空白不是没画完,是给眼睛留的落脚处:一张图若四边都塞满,花反而会闷。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。还有一种证据在纸背:铜版压进纸里的那道痕、上色处微微凸起的颜料、再版时磨浅的线。扫描件里也能看出七分。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
夫列子御风而行,泠然善也,旬有五日而后反。
—— 《庄子·逍遥游》
蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。古人写到这一层,已不只是赏花,是借花说人;画面则只负责把那朵花留住。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。花语是给人与人的关系用的;植物自己只关心有没有传粉的虫。这两套语言,可以并行不悖。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1850 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。同一株植物,春秋两季像两种东西;同一座山,一百年前与今天叫两个名字。图把这两样都冻结在了纸上。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。从画稿到成图要过好几双手:转刻的人求准,上色的人求快——快与准之间,就是各幅之间深浅不一的来历。
带走一双眼睛
下次看鸟,别急着认名:先看它停的姿态,再看羽色在哪一段最深,最后才翻图鉴——顺序一换,看鸟就从“对答案”变成了“看画”。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1850 年的那个季节。
关于本图版
这幅图版出自《古尔德蜂鸟图谱》(Gould's Hummingbirds),由约翰·古尔德绘制,1849—1887 年间出版。图中描绘的是 Thalurania nigrofasciata,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 104, Vol. II,见第 104 页,版式为纵幅。图像由公有领域原件扫描修复而来,细节在放大视图中仍清晰可辨。
原书文字(英文 / 法文)
Upper Amazon and Rio Napo.
There Is not perbaps a better defined group in the great family of Humming-Birds than that to which I have given the generic name of Thalurania, since all the species of which it is composed bear a very general resemblance to each other, and all are alike distinguished by an exceedingly beautiful style of colouring, of which blue and green are the prevailing tints; but so variously are these hues disposed in the several species, that each is readily distinguishable from the other.
The present bird (T. nigrofasciata) is rendered remarkably distinct from its congeners by the deep band of black which crosses the breast and separates the green of the throat from the rich blue of the abdomen. This band, which of course follows the curvature of the base of the throat-mark, is broad and conspicuous in some specimens, while in others it is almost obsolete, a circumstance which induced me at one time to believe that the banded and non-banded birds were two distinct species, and to give to the latter the name of virzdipectus; an examination, however, of a great number of specimens has since convinced me that both that term and nigrofasciata have reference to one and the same bird: viridipectus, therefore, which was proposed in 1848, two years after that of nigrofasciata, has been placed in the rank of a synonym.
The true habitat of this bird is the forests which border the upper parts of the rivers Amazon and Rio Negro; but it is also found in Bogota; and I have even received specimens in a collection from Quito; whence we may infer that it ranges over a vast extent of country, perhaps over the whole of the eastern dip of the Andes, of Ecuador, and Columbia.
The sexes present the usual differences in colour; the female being clothed in a most sombre livery, particularly on the under surface, a part which is so richly adorned in the male.
Throat lustrous green; edge of the shoulders and abdomen shining blue, separated from the green of the throat by a lunate band of black; head and back of the neck bronze; back and wing-coverts brownish green; wings purplish brown; tail dull steel-blue; bill black.
The female has the head, all the upper surface, and wing-coverts green; wings purplish brown; tail green at the base, passing into steel-blue at the extremity, and with a spot of white at the tip of the two outer feathers; all the under surface light brownish grey; bill black.
The figures are of the natural size. The plant is the Pilumna fragrans.
References
- Trochilus (———?) nigrofasciatus, Gould in Proc. of Zool. Soc., part xiv. p. 98.
- Thalurania ngrofasciata, Gould in Proc. of Zool. Soc., part xx. p. 8.—Reich. Auf. der Col., p. 7.—Cab. Mus. Hein., Theil iii. p. 23.
- Thalurania nigrofasciatus, Bonap. Consp. Gen. Av., p. 76, Thalurania, sp. 2.
- Polytmus nigrofasciatus, Gray and Mitch. Gen. of Birds, vol. i. p. 108, Polytmus, sp. 62.
- Thalurania nigrifasciata, Bonap. Rev. et Mag. de Zool. 1854, p. 254.
- Coeligena nigrofasciata, Reich. Troch. Enum., p. 3. t. dclxxxiv. fig. 4506?
- Thalurania viridipectus, Gould in Proc. of Zool. Soe. 1848, p. 18.—Bonap. Consp. Gen. Av., tom. 1. p. 76, Thalurania, sp. 3.—Reich. Auf. der Col., p. 7.—Bonap. Rev. et Mag. de Zool. 1854, p. 254.
- Coeligena viridipectus, Reich. Troch. Enum., p. 3.