Clytolæma? aurescens
Clytolæma? aurescens
Banded Ruby
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1854
- 图版号
- Pl. 250, Vol. IV
- 原书页码
- p.250
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.40∶1
第一眼
竖划三寸,当千仞之高;横墨数尺,体百里之迥。
—— 南朝宋·宗炳《画山水序》
三寸的竖线可当千仞高山,几尺横墨能容百里之远。尺幅从来不是障碍,取舍才是本事。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
此幅未见可靠的学名,只能以原书题名相称——早期图谱里这种情形并不少见。此幅既无通行中文名,学名也不可靠,只能以原书题名相称——图谱里总有几幅这样的图,只能靠画面本身说话。
形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。看羽:先看覆羽的层次,再看飞羽的排列,最后才看颜色——颜色是最后才被注意到的部分。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。先判断它是“印”的还是“画”的,再谈好不好看——这是看老版画最实用的一条规矩。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。古人写到这一层,已不只是赏花,是借花说人;画面则只负责把那朵花留住。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。在图谱里,它首先是一个物种,其次才是一种象征——这个次序值得记住。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1854 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。看叶的老嫩、花与果是否同在枝上,季节便八九不离十;看题名里藏着的地名,来路也猜得出七分。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。从画稿到成图要过好几双手:转刻的人求准,上色的人求快——快与准之间,就是各幅之间深浅不一的来历。
带走一双眼睛
如果只能记一句,就记郭熙那八个字:远望取其势,近看取其质。看图、看花、看人,都一样。图谱的用意是“以备查考”,看久了却会忘记查考:1854 年的一个人,为一只鸟花了整整一天。
关于本图版
此图原刊于《古尔德蜂鸟图谱》(Gould's Hummingbirds),绘者为约翰·古尔德,成书于 1849—1887 年间。原书题作“Clytolæma? aurescens”,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 250, Vol. IV,见第 250 页,版式为纵幅。扫描件取自公有领域原件,经高分辨率修复与色彩校正,可按原大放大查看线条与设色。
原书文字(英文 / 法文)
The forests bordering the Rivers Madeira, Upper Amazon, and Negro
There is a region in South America that has as yet been but superficially investigated, either by the persevering and forward-pressing collector, the scrutinizing man of science, or those pioneers of discovery, the devotees of religion.
This country, vast in extent, covered with great primeval forests, and watered by hundreds of the tributary streams which serve to form the great rivers of the inner sides of Columbia, Peru, and Bolivia, teems with animal life: by the inner side, I mean the eastern dip of the great Andean and Cordilleran ranges, or, to speak more pointedly, the sources and tributaries of the rivers Amazon, Madeira, and Negro. In this vast region, extending for at least six degrees of latitude on each side of the equator, there must be numerous species which are still unknown to us; for at present we have only skirted some of its forests, and ascended or descended, as the case may be, a few of its principal rivers. The part of America here alluded to is, if I mistake not, the native country of the beautiful bird figured on the accompanying Plate; at least it is from thence that most of the specimens I have seen have been procured. My late friend, John Natterer of Vienna, obtained, I believe, several examples on the banks of the Madeira; and Mr. Bates sent females or young males from the neighbourhood of Ega; I have also a specimen sent from Kcuador by Mr. Fraser, but said to have been obtained on the Napo.
In point of affinity, the Clytolæma aurescens is more nearly allied to the C. rubinea than to any other species; still it differs somewhat both in form and colouring, sufficiently, perhaps, to warrant its being made the type of a new genus; and, if so, one has already been proposed for it, as will be seen on reference to the synonyms, which are getting pretty numerous as to generic appellations; I trust, however, that, as I had the pleasure of naming the bird in the first instance, it may be allowed, after nearly twenty years, to remain in the genus in which I have now placed it.
The male has the chin black; the throat rich luminous gold-colour; across the chest a broad band of deep rufous; on the forehead a longitudinal stripe of rich shining blue; all the upper surface, two central tailfeathers, upper and under wing-coverts and abdomen bronzy green; wings purplish brown; lateral tailfeathers chestnut-brown, tipped both above and beneath with a bronzy lustre; under tail-coverts deep fawncolour; bill black.
The female or young male of the year differs in having the chin greenish brown, and in the absence of the longitudinal blue stripe on the crown; the outer feather of the tail chestnut, the three next chestnut with a narrow edging of bronze along their outer margins.
This latter description probably applies to a young male; if so, the female is unknown.
The figures are of the natural size. The plant is the Dichorisandra leucophthalmos.
References
- Trochilus (Lampornis) aurescens, Gould in Proc. of Zool. Soc., part xiv. p. 88.
- Polytmus aurescens, Gray and Mitch. Gen. of Birds, vol. i. p. 108, Polytmus, sp. 23.
- Lampornis aurescens, Bonap. Consp. Gen. Av., tom. i. p. 72, Lampornis, sp. 12.
- Margarochrysis aurescens, Reich. Auf. der Col., p. 11.—Ib. Troch. Enum., p. 8.
- Campylopterus aurescens, Bonap. Rey. et Mag. de Zool. 1854, p. 250.