Sporadinus? Maugæi
Sporadinus? Maugæi
Maugé’s Humming-Bird
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1861
- 图版号
- Pl. 349, Vol. V
- 原书页码
- p.349
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.55∶1
第一眼
六法者何?一、气韵生动是也;二、骨法用笔是也;三、应物象形是也;四、随类赋彩是也;五、经营位置是也;六、传移模写是也。
—— 南齐·谢赫《古画品录》
一千五百年前的六条标准:气韵、用笔、形似、设色、构图、临摹。你在这幅图上一样样对过去,就是一次完整的读画。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
没有学名可依,就看题名:题名里往往藏着产地、赠者或一句形容。此幅既无通行中文名,学名也不可靠,只能以原书题名相称——图谱里总有几幅这样的图,只能靠画面本身说话。
形与色
翼小而振频极高,能悬停、能倒飞;羽色非颜料所致,是羽枝结构折射的光,随角度而变。此幅未作色相归档,只能就形制论。此幅只画一个种,形制的每一处都摊在纸面上,没有遮掩。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。试着用拇指遮住空白处——画面立刻变闷;放开,它才重新“喘上气”。留白,是给主体让出的气口。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。工艺留下的破绽比题跋更诚实:刻工不会撒谎,上色的人赶时间的时候会。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
穿花蛱蝶深深见,点水蜻蜓款款飞。
—— 唐·杜甫《曲江二首》
中土无蜂鸟,然“穿花”之态,杜甫早已写过:贴着花心走,是采蜜者的共同姿态。把这一句放回画面:画面就是诗句的落点——诗先写气,画后写形,两者在此处接上了。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。花语是后人添上去的,花本身并不知道;但这层“不知道”,正是它最动人的地方。
时与地
热带美洲几乎全年可见,花期即其季节。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1861 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。图上的产地常是“据说来自”,图上的花期常是“盛开那十日”——两处都要打个折扣读。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。版画是集体工程:绘图、刻版、上色各有其人,真正决定这幅图好不好看的,常是没留下名字的刻工与上色师。
带走一双眼睛
如果只能记一句,就记郭熙那八个字:远望取其势,近看取其质。看图、看花、看人,都一样。二百年后,这只鸟的后代或许仍在某处活着;而纸上这一只,永远停在 1861 年的那个季节。
关于本图版
本图选自约翰·古尔德的《古尔德蜂鸟图谱》(Gould's Hummingbirds),原书 1849—1887 年间出版。原书题作“Sporadinus? Maugæi”,在分类体系中列于蜂鸟科(Trochilidae)。
该合集全编共 421 幅图版,此图为其中之一,图版编号 Pl. 349, Vol. V,对应原书第 349 页,版式为纵幅。图像由公有领域原件扫描修复而来,细节在放大视图中仍清晰可辨。
原书文字(英文 / 法文)
Porto Rico
It is very interesting to the ornithologist to observe that most of the West India Islands, particularly those of any extent, are tenanted by species of birds which are not found in the others.
The Sporadinus Maugæi is a native of Porto Rico, and, as far as we yet know, is peculiar to that island; strange to say, however, no other specimens besides the two contained in the Museum of the Jardin des Plantes have ever reached Europe. Here, then, is an island that has not yet been visited by the ornithological collector; had it been, the bird would ere this have become common. As to affinity, the S. Maugæi is more nearly allied to the S. Riccordi than to any other; at the same time it differs in form, being intermediate between it and the long-tailed Mexican species to which I have applied the generic name of Chlorostilbon, or, rather, to those bearing that of Chlorolampis, of which the C. auriceps and C. Caniveti are typical examples. Its tail is still more forked than those of the latter, but not so much so as those of the former; but it differs from both in not having the conspicuous bands at the terminations of the central feathers. I think it necessary to go into these particulars because I have hinted elsewhere that probably some future ornithologist may think it requisite to assign to this bird a distinctive generic appellation.
The following short note and description are translated from Audebert and Vieillot’s ‘Oiseaux dorés,’ above referred to:—
This species has not yet, I believe, been described. Maugé being the first to make it known, I have given it his name. Its only habitat is one of those islands, Porto Rico, which by its position offers to our notice productions similar to those of St. Domingo. It is three inches and seven lines in length; the upper mandible is black, and the lower yellowish; the upper part of the body is of a beautiful golden green; the lower is of the same colour, but more brilliant, with blue and violet reflexions; the lower part of the belly is white; the feathers of the wings and of the tail are of a velvety black which changes into bluish violet; the lateral tail-feathers are fourteen lines in length; the others all diminish in length up to the intermediaries, which are the shortest; the wings when folded somewhat exceed the latter; the feet are black.
The following are my own notes on the colouring, taken during the present year, 1861, from the specimens
in the Jardin des Plantes:—
The male has the crown glittering green; upper surface dull grass-green, inclining to blue on the upper tail-coverts; throat and all the under surface glittering green, with a stain of blue on the chest; wings purplish brown; tail uniform steel-blue; under tail-coverts green; upper mandible black; under mandible reddish flesh-colour with a black tip.
The female has the upper surface green; the under surface greyish white; upper surface, sides of the neck, and flanks green; two centre tail-feathers green, the rest greenish grey at the base, banded with steel-blue near the tip; the two outer feathers tipped with greyish white.
The figures represent the two sexes of the size of life. The plant is the Dictyanthus Pavonii.
References
- Trochilus Maugæus, Vieill. Dict. Hist. Nat., tom. vii. p.—Aud. et Vieill. Ois. dor., tom. i. pp. 77, 79, 80, and pls. 37, 38.— Bonn. et Vieill. Ency. Méth. Orn., part iii, p. 567.—Buff. Hist. Nat. des Ois., Sonn. édit., tom. liii. p. 237.
- Ornismya Maugæi, Less. Hist. Nat. des Ois.-Mou., p. 194, pls. 68, 69.—Ind. Gen. et Syn. des Ois. du Genre Trochilus, p. xxii.
- Trochilus Ourissia, auct.?