Thaumastura Elizæ
Thaumastura Elizæ
Mexican Shear-tail
- 合集
- 古尔德蜂鸟图谱
- 绘者
- John Gould(约翰·古尔德)
- 年代
- 1852
- 图版号
- Pl. 155, Vol. III
- 原书页码
- p.155
- 授权
- CC0 1.0 Universal (Public domain)
十观
- 纵幅 1.60∶1
第一眼
真山水之川谷,远望之以取其势,近看之以取其质。
—— 宋·郭熙《林泉高致·山水训》
远看取其气势,近看取其质地。八个字,就是看画的两步:先退后看整体,再凑近看笔与色。看花鸟图版一样管用。这一幅是竖的:眼睛从下往上走,落点在中段那只鸟身上。先别急着看羽毛,让姿态先立起来。第二步凑近一寸:看线与色的交界,色有没有压住线,线有没有断。第三步,把视线放到最深的那一小块:整幅的用色秩序,都是从那里排开的。
名与实
学名缺席时,画面本身就是唯一的证据。此幅既无通行中文名,学名也不可靠,只能以原书题名相称——图谱里总有几幅这样的图,只能靠画面本身说话。
形与色
蜂鸟为美洲最小之鸟,喙细长如针,舌分叉成管,可伸入花心吸蜜;翼小而振频极高,能悬停、能倒飞。此幅未作色相归档,只能就形制论。别只看花:叶脉的走向、萼片的长短、甚至茎上的毛,都是画家用来区分物种的证据。
构图与呼吸
画幅高而窄,鸟栖在枝的中段,上下留白多——十九世纪鸟谱的标准版式,留给它飞走的余地。全幅只画一只,不作解剖附图——这类图更近于“观赏”,而非“鉴定”。老图谱爱把主株摆在偏中线的位置,左右留得不一样多:这一点偏心,正是画面活起来的原因。
一刀一色
十九世纪后半叶,石版与彩色石印渐成主流:颜色可以直接印出,不再依赖手工,线条反倒退居其次。图像的“准确”提高了,手性却淡了。先判断它是“印”的还是“画”的,再谈好不好看——这是看老版画最实用的一条规矩。想动笔临它的人记住一句:先铺大块的形与色,干后再收细部;石印的柔和层次来自薄涂与网点,水彩分两三遍淡铺即可逼近。
诗境
夫列子御风而行,泠然善也,旬有五日而后反。
—— 《庄子·逍遥游》
蜂鸟悬停于空,不落不飞,最近于“御风”。庄子说的是一种自由的姿态,蜂鸟把它做成了生理事实。古人写到这一层,已不只是赏花,是借花说人;画面则只负责把那朵花留住。
花语
阿兹特克以蜂鸟为战神与太阳的化身;欧洲维多利亚时代则以蜂鸟为收藏与装饰的极致,百万只羽毛被做成胸饰。中国旧籍无此鸟,故无象征——这空白本身,就是一部博物学交流史。象征多半来自形状与气味:像杯的、像泪的、香的、臭的——先有形状,后有意义。
时与地
温带种类的蜂鸟则随花北迁,一年往返数千公里。仅产美洲,自阿拉斯加南部至火地岛,以安第斯山最为繁盛。中土无蜂鸟,汉籍不载,晚清海外游记始见其名。图上所记的 1852 年是刊行之年,不是采到那只鸟的年份;真正的观察记录通常比出版早一两年。那一代人对这类鸟的知识,多半来自标本与笼养。看这一类图,不妨把产地和季节都当“据说”来读。
书与人
《古尔德蜂鸟图谱》只署了约翰·古尔德一个人的名字。图版今属公有领域,可以自由取用;但纸上那层手工上色,仍是两百年前某一个人的手。
带走一双眼睛
如果只能记一句,就记郭熙那八个字:远望取其势,近看取其质。看图、看花、看人,都一样。1852 年的那只鸟早已化作尘土,它留在纸上的样子,却比任何一只活着的同类都长寿。
关于本图版
这幅图版出自《古尔德蜂鸟图谱》(Gould's Hummingbirds),由约翰·古尔德绘制,1849—1887 年间出版。图中描绘的是 Thaumastura Elizæ,归入蜂鸟科(Trochilidae)。
全编共收录 421 幅图版,本图是其中一幅,原书将其列为 Pl. 155, Vol. III,见第 155 页,版式为纵幅。图为公有领域原件的修复扫描,构图与设色未经改动。
原书文字(英文 / 法文)
Southern Mexico
We have here a Humming-bird of especial beauty; its colouring being so chaste and its form so elegant, that it is unsurpassed in loveliness by any other member of the section to which it belongs.
It is indeed an object strictly in unison with the rich and fairy-like lands of which it is a native, namely Jalapa and the other genial provinces of Mexico. Few of the Trochilidæ are more rare, and few are the collections which contain examples; I, however, have the good fortune to possess a male and a female with their nest and eggs, all of which were procured at Cordova in Mexico by M. Sallé.
The first description of the species appeared in the “Revue Zoologique” for 1839, from the pen of M. DeLattre, a gentleman well acquainted with the Trochilide, but who unhappily is now no more, and who, it is to be feared, contracted the disease which terminated his useful life during his pursuit of this group of birds, of which he obtained many new species.
The following remarks, which are given in M. DeLattre’s own words, comprise all that is at present known respecting this lovely bird:—
Cette espéce, excessivement rare, a été rencontré dans le pays appellé le Pas de Taureau, entre la Vera Crux et Jalapa. Elle est trés matinale, vit en société, et reste en repos depuis neuf heures du matin jusqu’a quatre heures du soir. Le mile fait entendre en volant un bourdonnement assez fort. Il se couche tard et lorsqu’il ne voit absolument plus. II se nourrit sur les arbres.
M. DeLattre named this species Eliza in honour of the wife of Dr. Amédée Lefèvre, Professor of Zoology and Materia Medica at Rochefort.
The male has the crown of the head bronzy-brown; sides of the head, back of the neck, all the upper surface of the body, upper and under wing-coverts and flanks of a rich shining golden hue; upper tail-coverts shining green; wings purplish-brown; chin and chest beautiful metallic violaceous-crimson; across the breast a broad gorget of white; centre of the abdomen, vent and under tail-coverts dull white; tail purplishblack, all but the outer feather on each side margined internally from the base to near the tip with deep sandy-buff; bill and feet blackish-brown.
The female has the crown greyish-brown; all the upper surface golden-green; wings purplish-black; central tail-feathers shining green, the remainder sandy-buff at the base, then black, and white at the tip; under surface white tinged with buff.
The nest is of a round, cup-shaped, but somewhat lengthened form, and is placed in the fork of a small upright branch: it is composed of a cottony material coated on the outside with a dark reddish-coloured moss, flat pieces of lichens, &c., bound together with cobwebs; the eggs as usual are white and two in number.
The Plate represents two males and a female of the natural size. The plant is the Begonia biserrata.
References
- Trochilus Eliza, Less. et DeLatt. Rev. Zool. 1839, p. 20.
- Myrtis Elisa, Reich. Aufz. der Colibris, p. 13.
- Lucifer elisa, Bonap. Rev. et Mag. de Zool. 1854, p. 257.
- Calothorax Eliza, Gray and Mitch. Gen. of Birds, vol. i. p. 110, Calothorax, sp. 8.